Sunday, June 5, 2016

Life After Index, revised

Part of the page that lets you quickly skip to the thing you want:
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About

Short version of what this story is:

Temporal meddling causes teleportation to go wrong which dumps Kim in the afterlife, lets the less savory portions of the afterlife escape to earth, and leaves the only people who know what went wrong (Kim's daughter, Shin, and Shin's nemesis, Jacob) trapped in a world entirely unlike the one they know thanks to a quarter century of supernatural temporal divergence.

That make sense?

Somewhat longer version:

In 2029 Shin and Jacob declare a truce when Jacob realizes his interim boss is trying to change 2004 which would would result in a timeline where Jacob (and Shin) were never born.  They fail to stop the past from being meddled with, but do manage to avoid being erased by the changes.  Now they have to survive in a world dominated by decay and death, and --if they can do that-- try to somehow set things right.

In 2004 while Ron Stoppable lays unconscious after a talent show bit gone wrong, Kim disappears from the face of the earth entirely, and a hole is punched through reality letting malevolent forces from the afterlife run rampant through the school.  With Team Possible sidelined others step up to try to defend those in the school and, hopefully eventually, the rest of the world.

Meanwhile Kim is unceremoniously dumped in the afterlife and left to avoid the unfriendly dead, try to find the friendly dead, and finally attempt to get back to earth.

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The Story

The story so far:
  1. Allhalowtide (or The world changed on us)
    • Part I: Things Fall Apart
      1. Time Changes - In 2029 Shin and Jacob are present at a ritual that changes time.  In 2004 Tara and Josh step up to do whatever they can with Kim missing, Ron unconcisious, and ver bad things happening.  Kim has no idea where she is and just wants to get back to what she knows.
      2. Dying Light - In all three times and places, people have a firmer grasp on the situation, but are left struggling to survive.
      3. If we can make it through the night - Nightime itself seems intent on killing Jacob and Shin, with everyone else safely in the shelter Tara, Ron, and Bonnie have to find a way to save Josh, and Kim is on the run from the dead but running out of energy. 
    • Part II: Another day older
    • Part III: Culmination
  2. Long November (or The new mother nature taking over)
  3. Come Together (or The advent of a tangential narrative)
  4. Empires Fall (or The old world washed away)
  5. New Beginning (or Foundation of the new world)
Scattered bits and pieces largely focusing on Mag, while she's unconscious, and her group - sort of an attempt to return to my roots by just writing the parts that resonate a the moment and skipping the stuff that doesn't.

Actual Dancing, not "Dancing" - This scene is very near the end to the point that the context needed to set it up counts as spoilers for the whole story. Jacob tries to clarify that he meant real dancing, not a euphemism for something else, when he said the word but when it turns out that Kim had no idea the euphamism even existed ... Jacob and Mag's explanation runs afoul of Kim's extreme ability to get embarrassed.

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Metaposts

Asking for help with afterlifey things as a prelude to writing the story.

Metapost on the setting - I talk about decay, regrowth, cycles, and how that underlies the the metaphysics of the story.

Thing where I note that I didn't make the deadline - honestly it's probably for the best.  All of the installments were rushed, and the one that would have come next if I'd finished it in time was rushed, shortened, and butchered to a horrific degree.

The Sierpinski triangle and the structure of Life After - I was not nearly awake enough when I wrote this.  I doubt it makes much sense.  Life After is structured based on threes in a vaguely fractal way such that each "motion" in the story is an iteration less than the one before it; this post is about that.

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Outdated Versions

The original index

Saturday, June 4, 2016

The Lynnverse: An overview

After I learned that my grandfather died I realized I hadn't taken my medicine.  Cue what was probably hours of looking for the most important medicine.  In the end I had to partially dismantle my couch, but I am medicated now.  By the time that was over I had to take a shower.

Now I'd like to do something light.  Something fun.  Perhaps even something silly.

So, the Lynnverse:

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Our Heroes ↑

Lynn ↑

Lynn lives two lives, sort of.  Not in a putting on spandex and a mask kind of a way, but the fact of the matter is that there's a world of difference between what she does that takes her away from Centerville and what she does in Centerville.

Lynn runs a website for kids, teenage and younger, who need a hand.  She likes the song "Lean On Me" by Bill Withers.  Well, she likes Bill Withers in general, but "Grandma's Hands" isn't exactly emblematic of what she does.

Something that she didn't really account for when she set up the site was that the internet being what it was meant that anyone on earth could contact her.  When she's called she comes and provides what help she can.  Sometimes this means trading favors to get a ride.  Sometimes this means stowing away on something going in the right direction.  By now she's been around and done a lot.

She doesn't try to save the world.  Honestly.  If someone contacts her looking for help recovering a stolen nuclear weapon then she'll forward that request to her aunt Simone because that's not what Lynn does.  If, however, a kid contacts her because strange people have been keeping them out of their favorite play place using scary bullying tactics and that just happens to result in her spelunking through a limestone cave following terrorists who have stolen a nuclear weapon and are trying to use the cave system as a way to smuggle it passed the surface level government agents --who are trying to quietly (they don't want to cause a panic) recover the weapon by setting up a perimeter with giger counters and find the weapon by tightening the perimeter until they find the weapon-- well then of course Lynn will recover the weapon and turn it over to the proper authorities.

First off, it's just basic manners.  Second, that kid isn't going to get to play in those caves again until the terrorist goons are out of them.

In her role as helper outer Lynn puts on different clothes and, to an extent, a different personality.  She's more outgoing, for one thing.  The people she meets haven't judged her, they don't know the climate of Centerville or where she falls in the social structure.  It's ... easier.

It also lets her put her brain to use the way it seems to want to be used.  She's good at solving things.  Give her a mystery and she'll eventually put the pieces together no matter how complicated it is.  She can duke it out with bad guys, but she prefers to out think them.

In Centerville itself Lynn would be a pariah if the powers that be of the teenage world got their way.  Unfortunately for said powers, she has eight whole friends.  Her two best friends are Sun and Zee.  Christy and Ashley made friends with Lynn, Des and Rachel she met through Zee, and Rob and Nick she met through Sun.  By now all nine are a pretty tight knit group.

All of them form the brain trust of Lynn's team for helping people who contact her via her website, but usually only Sun actually joins her in the field.

Lynn generally tries to be invisible in Centerville.  It never works.

She isn't the student who's bullied the most, but she often gets "accidentally" bumped into, often hard enough to send her to the floor, and she's been called names that she wouldn't repeat.

It's a struggle to maintain good grades because helping people takes time and that cuts into study.  She never planned to so much as consider extra curricular activities but she eventually joined the debate team with Zee.

Her clothing tends to be drab and cover every part of her but her hands and head, she's been known to rock a faded hoodie.

The fact that she could beat up the kids who bully her doesn't provide any comfort at all.  Not that she'd expect it to.

Her mother works in Washington.  Sort of.  She's usually not paid and she often lives out of her car.  She's been able to get the trust and respect of some movers and shakers, occasionally works as an unofficial adviser instead of her usual role as advocate and sometimes even gets to go on trips with House members and Senators.  (Or, in other words, I was totally for stealing the idea of Teenage world saver has a Senator for a mother but with the pay at $174,000 a year I'd have had to drop Lynn's poverty or find a way for 90% of that income to be spoken for, which would requires some really massive debt.)

Sometimes Lynn (and sometimes even one or two of her friends) gets to tag along.

Lynn's father does super secret confidentiality protected stuff for a food company.  His creations make his company billions.  That doesn't actually help him since his minuscule paycheck isn't tied to performance.  Lynn thinks he should feel cheated by that.  He's just happy to be able to work at a state of the art lab.

Lynn, with help from her friends, is able to make great use of technology borrowed, stolen, copied, or so forth from his lab.  Some hits include the frosting mine (distributes cake frosting over an entire surface when detonated; great for making groups of enemies slip and fall), the sherbert ray (it's a tasty freeze ray), the ice cream launcher (single scoop, short range), the snow cone launcher (long range, does not launch cones, just spheres), the banana creme concussion grenade, pixy bombs (Pixy Stix smoke bombs), and ... I've run out of random crap to stick in here.

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Sun ↑

He's a white boy named "Sun" whose twin sister is named "Moon"; he never expected to fit in.

Sun's parents were raised on a commune and left to find themselves.  Eventually they found themselves in Centerville because they were drawn to the idea of attempting to create paradise on earth without withdrawing from the wider world.  The commune has been too isolated for them.

Long before they arrived, before there was a Centerville, it became clear that Moon wasn't really cut out for city or town life.  She's back at the commune being raised by her grandparents with help from various others.  Sun misses her but generally doesn't talk about it.

While religiously the family is somewhere between secular and an extremely watered down new agey mishmash, they still observe Rosh Hashanah and Yom Kippur as a way of paying respect to their ancestors.

Sun and Lynn met Sun's second time in preschool.  They haven't been side by side since then, as Sun's parents hadn't found where they wanted to settle down yet, but they always stayed in touch and they usually had their summers together.

It was Lynn's parents who told Sun's about the Centerville experimental utopian settlement project.

Keeping Sun in preschool for an extra year didn't improve his social skills or make him a better student, but since all of his classwork is designed from someone with a brain one year less developed than his own ... he's generally able to slack off and still get good grades.

Sun tries not to let anything get to him, projects a persona of a clumsy doof in spite of his time with Lynn giving him skills that would be well suited to a variety of athletic pursuits, and generally gets by by being the class clown.  Apparently it's a mostly protected position which means that he doesn't have to worry about bullying as much as some and can even run interference for some of his friends.

When he's off lending a hand with Lynn he functions as someone she can bounce ideas off of when they're investigating, and a way to keep opponents attention divided in a fight.

The first is important because while Lynn is great at finding the pattern hidden in scant clues, she's always at risk of seeing patterns that aren't really there and chasing after pareidolia.

The second is a bit complicated.  Sun will gladly be the distraction to take attention off Lynn, but sometimes people recognize what he's doing and ignore him, in which case he'll do the vital work while she's the real distraction.  It's a complicated act of reading the room, but he and Lynn have a pretty good handle on it.

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Zee ↑

Zee doesn't know how to not care.  She cares about everyone who is mistreated and she can't turn it off.  She fights for everyone and everything to the best of her ability.  This . . . works out about as badly as you'd expect.

One high school student is not going to solve racism, sexism, misogyny, hunger, homelessness, poverty, indigenous peoples being treated like shit, the many and varied bad things being done to the environment, exploitation of less developed areas, income gaps, wealth inequality, homophobia, transphobia, ordinary bullying, cyber bullying, a fucked up tax code, unequal access to education, healthcare, and other basic needs, mistreatment of the mentally ill, discrimination against minority religions ... can I stop now?

She's kind of . . . gloomy.  She's plugged in, she knows what's going on, and is painfully aware of how little she can do to make things better.  But she keeps on trying make things better none the less.

Her approach toward life can be described as somewhat akin to Chaucer's definition of "Trudging" in the movie "A Knight's Tale":
To trudge: the slow, weary, depressing yet determined walk of a man who has nothing left in life except the impulse to simply soldier on.  
She knows that she's not going to win, she knows that the world won't become a good and happy place.  She does what she can do anyway.

She met Lynn when she saw Lynn mistreated, she meets a lot of people that way.  Lending support when people are down will do that.  Only a handful of those people have become her friends.

Zee's was raised, with her older brother and sister, by her mother.  With her siblings off at college now it's just herself and her mother in the house.  Zee's mother is intensely proud of her.

Of all of Lynn's friends, Zee is the most in tune with Lynn's mother since both she and Zee work trying to make the world a better place for those less fortunate than themselves.

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Christy ↑

Christy is popular.  Christy is a cheerleader.  People can't figure out what the Hell Christy is doing hanging around with Lynn.

Christy actually met Lynn the same way as Zee.  People were being mean to Lynn, Christy tried to help Lynn out.  They got to know each other, they became friends.

She and her brother (less than a year younger than her) were raised by their father.  Her brother looks up to her and wants to be an athlete like her.  (Though he has his sights set on soccer instead of cheerleading.)

Compared to some of her friends she knows that her life is pretty charmed, but she doesn't know what she can do to help her friends other than being there for them.

She happens to be a lesbian, though she isn't really aware of it at first.

Her oldest friend, and the crush that led to her figuring out her sexuality, is Ashley.  Given that Ashley's straight, nothing really came of that.  She's actually glad that nothing changed, she was afraid that Ashley would stop being her friend.

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Ashley ↑

Ashley could probably be as popular as Christy, but she has no desire to be.  Unlike Zee she doesn't make a point of spurning the school's social structure, but she doesn't really participate either.  She just kind of fades into the background and doesn't get noticed.  She likes it that way.

She's one of the best players on the soccer team.

She met Lynn through Christy and the rest through Lynn.

One of the reasons she likes to blend and keep to herself is that she doesn't want anyone to ask about her past.  She was raised by her two mothers until one of them died.  That was before moving to Centerville.  She knows better than most of the group how precarious of a situation gay people are in.  Her mother could be fired for not being straight, if anyone finds out, because that's completely legal where they live.

When Christy comes out to her, Ashley will show Christy a small shrine to her dead mother kept in an easily locked closet.  Christy will be the first person other than Ashley and her live mother to see it.

Ashley has an older sister that I've misplaced my notes on.  Wait, no, older brother?  Have to find those notes.

Anyway, Ashley helps Christy's younger brother on his soccer game.

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Rob ↑

Rob's life generally sucks.  He loses himself in fictional worlds because apart from his mother and his friends there's nothing for him in this one.  He has an older sister and younger brother who both pick on him, his father encourages them to because Rob is a "disappointment" for not being an athlete, his mother will never stand up to his father, and at school things are just as bad.

His closest friends are Sun and Nick but he can't be goofy like Sun, and he lacks whatever magic Teflon coating has allowed Nick to avoid bullying.

He cannot shake the label of nerd.  The fact that he likes sci-fi, video games, and sci-fi video games doesn't help.  Nor does the fact that he's naturally good at math.

If he had Nick's glasses he'd fit his classmates stereotypes perfectly.

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Nick ↑

Nick has better social skills than Rob or Sun, maybe that's why people leave him alone.  Even though he and Rob have the same interests more or less point for point, the attacks never come.  He's able to fade into the background like Ashley and float through the school untouched.

He happens to be bisexual, but he's got no plans on telling anyone that any time soon.

He's the oldest of three boys, his younger brothers like usually him, and his parents are loving and engaged.

All of which makes him think that life is incredibly unfair because he sees everything that Rob has to deal with.

He'd trade places with Rob in a heartbeat because he'd rather be hurt than see a friend in pain and Rob is constantly hurting.  Of course Rob would trade right back for the same reason.

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Des ↑

Des doesn't know a thing about being Vietnamese.  You kind of have to start with that.  Des' mother was born soon after her parents moved immigrated to the United States and spent much of her life trying to fit in even though she knew as well as anyone that she never would.

Strongly assimilationist, Des' mother put constant effort into being "normal" in a time and place where "normal" excluded her by default and no amount of effort could change that.  She made no attempt to preserve, or even understand, her ancestral culture and when she had a daughter she did nothing to pass on that culture.

She picked the name "Daisy" because she thought that it was poetic, beautiful, and American.

As "Daisy" grew, her mother was glad to see how many of her features took after her father since they would help "Daisy" fit in and who could want more than that?

And that's probably why Des and her mother don't understand each other in the least.

Sunny days hurt Des' eyes.  Bright colors are unnerving and she's loath to wear them.  Too many smiles make her want to run for the hills.  Centerville's modern aesthetic makes Des long for stone buildings with flying buttresses.  The name "Daisy" makes her want to gag.  She renamed herself "Desdemona".

Des didn't know what it was to love reading until she read Shelley.  She can quote Frankenstein: or, The Modern Prometheus from memory and is quick to point out that Frankenstein was the scientist (the monster was never christened but is generally known as "Adam".)  Beyond Shelley she reads things like Radcliffe, the Brontë sisters, Roche, Parsons, Alcott, Gaskell and so forth.  She loves the fact that female authors were able to shine and make an entire genre their own even though they were living in the 18th and 19th centuries.

She wants to write Gothic herself one day.

And this would all make sense to her mother if not for one unmissable fact: Centerville doesn 't have a goth subculture.  At all.

If Des embraced these things to fit in, then her mother would understand.  But Des doesn't fit in, she stands out.  And so there is a complete lack of comprehension.

In spite of that Des' mother did support the name change once she was sure that it wasn't a phase.  It might have been for completely different reasons, but naming themselves instead of sticking with the names they were given is one of the few things mother and daughter have in common.

Des' father, for his part, would like to be supportive and such, but he doesn't know how.  He was raised in a family where the mother did all of the child rearing and he honestly doesn't know what to do with a daughter.

In school Des gets called names and generally insulted and put down, but she takes comfort in the fact that it's never gotten physical.  If it weren't for Zee she'd be completely alone. As it is she's growing to accept the other eight members of the nine and growing to accept that they aren't setting her up for a fall.  Having peers who actually accept her is fairly new for her.

Rachel is the newest member of the nine, but she's the one who Des has forged the strongest bond with.

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Rachel ↑

Online Rachel is fairly popular in the circles she frequents, respected in various communities, and a pretty decent hacker.  She's no genius, but she doesn't get caught, and while a big part of that is knowing her limits and not going against security she can't handle, some of it is that --while no prodigy-- she's got an aptitude and is willing to put in the effort to see it turn into usable skills.

In person, though . . . Rachel has selective mutism.  Her parents don't even pay enough attention to notice, or to notice that her younger sister constantly mocks her for it.

Zee and Des are the only people she can consistently speak to.  Even with other members of the nine she often just freezes up.  It's common for her to write something because that's somewhat easier, but sometimes she's so nervous that she holds too tightly, pushes down to hard, and breaks the pencil.

Some of her teachers recognize that her only real problem is an inability to express herself, but others can be just as bad as bullying students.  Rachel absolutely loathes the phrase, "Spit it out."

She's really helpful when Lynn needs computer related information, and can even help others in the group connect (e.g. pointing out Gothic video games to Des so that she can have something to talk about with the gamers of the group) but she's probably the least integrated member because she  Just.  Can't.  Words.  At least not consistently.  Not with anyone but Zee and Des.

Still, she's worlds better with the group than the population at large.

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Centerville, where home is ↑

Centerville is a model utopian community.  It was all built at about the same time, it was designed to be year-2000-era modern.  Everything is year-2000 state of the art.  Every house has high speed internet via what was, when the town was built, the very new (to consumers, people had been working on it since the 80s) technology of cable internet.

The houses themselves were built in a cookie cutter model.  Different house styles are used to break up the scenery and avoid having every neighborhood look like it's populated entirely from clones of a single house, but every, for example, saltbox house is built in the same mold as every other saltbox and efforts were made to make different styles comparable (the square footage of home types doesn't vary much.)

The reason for this standardization was an attempt to discourage class distinction.  No one lives in a mansion.  No one lives in a shack.

There are two middle schools and several elementary schools but only one high school.  It is state of the art and rivals some flailing universities in its facilities.  There is also a small university, built with the intent, mostly, of accommodating graduating high school students who want to stay close to home.

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Public buildings are built in a neo-futurist style.  Curves, twists, triangles, occasional things that look like alien space ships landed, buildings that must have been designed by people who idolized the Sydney opera house, overhangs, and a lot of glass.  Mirrored glass, transparent glass.  Frosted glass.

The mall is a work of glass and mirror smooth metal that avoids sharp corners and seems to operate on magic.  You can't even see exactly where the light is coming from because if you could see the lights it would ruin the "operates on magic" atmosphere.

The trouble is, the city center as a whole was, kind of, designed by a barely functioning committee.

The architects were good at what they did, but they they weren't the ones who decided what went where.  Yeah, some of it looks like this, and the library's central area looks kind of like this, and there are smooth twisty buildings, but when it's placed alongside this, this, and this... the effect is jarring.

Random other examples of the sorts of things you'd see in Centerville: a bridge over air, a bridge over water, sculpture, a bench, and a museum.

That's from me randomly googling around.

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The name was because it was supposed to be a place where all sorts of different people would come together.  Different races, different politics, different class, different ethnicities, and so forth.  It wouldn't be skewed in any direction.  Thus, it would be at the center of all these things.

It was being planned and under construction during the 90's and America was already getting more and more partisan (government shutdowns, Clinton's impeachment, so forth) but even so those behind the project did not and could not see how bad things would get in terms of partisanship and ... everything else.

Fall 2004 is Lynn and co's junior year.  That was the "Adam and Eve, not Adam and Steve" election.

Centerville is populated by people who have accepted, at least publicly the civil rights victories of the past.  Open racists need not apply.  (Other racists welcome.)  But the civil rights issues of their present and future are ones where they're just as bad as anyone else.

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The goal for economic diversity means that they've set things up so that no one goes hungry or homeless.  Clothes, medical insurance, general spending money, cars, TVs, computers, phones, backpacks, books, and so forth weren't really taken into account.

It's part of why Lynn's poverty is well known in spite of the "everyone is equal here" rhetoric.  It's not as if Centerville is a commie haven or anything.  Poorer people being there is done via housing vouchers and stuff.

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Villainy ↑

Part of what the Lynnverse is built on is pure unashamed class warfare.  Lynn may live in a high tech (again, year 2000 standards) experimental community that's an attempt at utopia, but she's still poor and the kids at school always make sure she remembers it.   The houses are the same regardless of class, the community was designed that way, but what's in the houses, what's in the driveway, what the residents wear... that's different.

Sometimes there's more month than there is food money.  It pays to know that if you wear shirts two thick you can have holes in both without showing skin (just make sure the holes don't line up.)  So on, so forth.

At least one of her villains, on the other hand, is a CEO of an evil incorporated business that's backed by, and accountable to, shareholders from Wallstreet.

Lynn may not be out to change the world (that's Zee's bailiwick, Lynn's mom's too) but she gets pulled into things because of her commitment to helping kids who ask her for help.  If a kid is saying, "I'm going to lose my home because the park's rent is going up too much for my parents to pay," an Lynn will fight tooth and nail to help the (mobile) homeowners over the gouging landlords, and if it turns out that the gouging landlord is the company owned by her CEO villain then she'll go to war against the one percent because fuck the fucking fucker.

So that's part of it.

But then there's also the thing mentioned below about a child's freckles being stolen by a villain who wants to push their idea of physical perfection.

And there are agents of overblown conformity in other ways.

For example a recurring villain will be the Ge hivemind.  ("ge" for "genetic experiment".)  A handful of identical girls linked by a hive mind who think that everyone should be as perfectly in synch as they are with each other and thus be brought under the hive mind's control.

Things will start to get interesting with them when one of them gets out of synche, but that would probably happen slowly and not be a really noticeable thing until late in mythos some event pushed things passed the tipping point.

Then there's just a random grab bag:

A charming Irish tennis player who just happens to be a saboteur for hire.

A mercenary who does evil for highest bidder.  Kidnapping?  Check.  Sabotage?  She's better than the tennis player.  Espionage?  If the price is right, but since that tends to call for stealth the price has to be really good.  She prefers things that begin, middle, or end with a car chase because what she really loves doing is turning cars into weapons (sometimes projectile in nature.)  Occasionally a truck, but using a cement truck to take out a power plant really loses the appeal after the first six times.  Been there, done that.

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Quick note about the connection, insofar as there is one, to Kim Possible ↑

I'm not going to make any secret of the fact that portions of the Lynnverse come from thoughts about what Kim Possible could have been but wasn't.  Parts of the Lynnverse even pay homage to that.  Why is Lynn a redhead who likes capris and crop tops?  Because Kim.

Still, it's very much not Kim Possible.  There is both less and more focus on the "average girl" idea, for example.  Kim Possible, sometimes from the mouth of Kim herself, always insists that Kim is just an average girl who happens to save the world.  Lynn would never link those two.  Saving the world is hard, so much so that it's seldom something she sets out to do, and it takes a lot of work, a lot of dedication, talent most people don't have, and lots and lots of skill built upon that base of talent.  Just like an Olympian isn't average, neither is a world saver.

On the other hand Lynn isn't at the top of the high school food chain, she isn't in every extracurricular club, she isn't popular without trying, she isn't ... all of the non-average power fantasy things that Kim is in her high school teenager life.

Lynn is at the bottom.  One of the dregs.  She lives in a "utopian" model community that is supposed to be free of class but somehow it's common knowledge that her family is the poorest in the community.  Is it true?  It doesn't matter.  That she wears second hand clothes is all the "proof" that bullies need.

This spills over into the world saving bit.  She doesn't get calls from top scientists or government officials working on top secret blah-dee blah.  She has a website for children and teens who need a hand, and that causes her to stumble across nefarious plots.  Sometimes the  calls for help seem simple enough, sometimes they're downright weird.  A tearful kid has had zir freckles stolen, Lynn discovers a plot to make everyone one jerk's idea of (physically) perfect which involves removing all "flaws" from unsuspecting people.  Freckles got categorized as flaw.

And when she does get involved in the world saving she doesn't get taken seriously.  A relic of a bond type villain who bemoans the lack of a worthy foe in this day and age does not see said foe provided to him in the form of Lynn.  The fact that he's thwarted by a teenage girl is a source of embarrassment and no matter how many times she beats him he'll never treat her as he would a worthy foe.  She is beneath him and the fact that someone beneath him beats him is disgraceful.

I'm out of grandparents

My father's father died.

I want to say more.  I don't have more to say.

I saw him yesterday, but he was asleep the whole time.

Fuck, I want to say something.  Something profound or something reverent.

I've got nothing.

Friday, June 3, 2016

Primary computer is home and so am I

Primary computer wasn't feeling well.  Crashes for no apparent reason, ones that couldn't be reproduced even by doing the exact same thing, difficulty with USB devices that came and went and varied based on which port the device was plugged into, and finally the power coming not in a steady stream but in pulses.  Pulses that you could see if it was in a mode where plugged in and not plugged in states had different screen lightness settings.

I was going away for an extended time so even if it weren't becoming unusable (the pulses couldn't compete with the power drain of actually running, meaning it could be used for precisely one charge) it would have been a good time to send it in for repairs.

I got back on the same day I am writing this, June 2nd, and so did my computer.  It arrived at the store today, made it through their inventory before I made it back, and was ready for pick up as a slight detour off my route to the bus station.

Apparently primary computer was pretty well fucked.  The motherboard had to be replaced which . . . that's never happened to me before.  Usually when it gets that bad they just scrap the computer and give you a store credit for a new one.  The mother board, the operating system drive (a small solid state affair), and the power jack all had to be replaced.

The operating system drive being kaput means I'm going to have to reinstall a metric fuckton of stuff because that's the drive you install programs onto.  I've just now gotten my email client (Thunderbird) back up and running with my thankfully backed up profile which means I can tell you exactly how long my computer was away: 865 emails.

Not that I didn't get those emails previously, though one about a one day deal that I totally would have taken got overlooked, it's just that I like having my body of email in a single place so when I use the secondary computer to check email I make sure to leave the emails on the server so that they'll make it onto primary eventually.

Anyway, primary computer back and my fingers are loving its keyboard.  It's not the thing my fingers love most in the world --far from it-- but it's good to have it back.

Thursday, June 2, 2016

It comes and goes like magic; my accent

The bus starts in Boston but goes all the way to Bangor.

It's a rare occasion when I might encounter people who preserve the friendly, somewhat loud, loquacious, rustic, sometimes racist, and always non-rhotic speech that my accent is an extremely watered down version of.

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My mother was born in Lewistion-Auburn.  Which one?  Who knows; who cares?

My father's family are Portlanders for ... forever.  Well, white-people-forever at least.  Not the Mayflower because those people couldn't take a Maine winter, but some say the very next boat that hit this part of New England.  And maybe tribal connections, so maybe it isn't just white-people-forever.

When my mother was just a girl her father bought farmland and built a house in Cape Elizabeth.  Now the area is known as the place for rich people but back then it was all farmland.  Cape Elizabeth is in "The Greater Portland Area".

After I was born my other wanted to go back to where family was, and so my home in South Portland, a city that touches Portland (home of my dad's family) and Cape Elizabeth (home of my mom's family) both.

That is where I've lived my life.  I grew up there.  It is home.  I've spent my whole life, with a few temporary exceptions, in that house.  But that isn't about that.

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I grew up a Mainer, my mother might have had foreign born grandparents, but I'm entirely multigeneralational Mainer on both sides of my family.

Even so, my accent rarely survives contact with other people.  Some words just have a certain way to say them and so stick.  Lonespark has been known to be befuddled by "Chowder" (ChowdAH) being full on Downeast speak when little else I say is in that dialect.

But the thing is - the thing, it is this: when I talk to people the way I speak changes.  I'm told everyone does it to some degree, but I do it enough for people to notice when they don't notice other people doing it.

If I talk long enough to the woman from just north of Dublin I do not, in fact, end up with an Irish accent, but the way I speak will become notably abnormal for an American accent.  At least any one of a non-Irish stripe.  Without thinking or trying I pick up parts of how other people talk and incorporate them when speaking to those people.

But something else happens when talking to another Mainer.  First let me point out that that's MainAH phonetically.

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Anyway, other Mainers.  Northerners.  (Well, non-coastals.  The bus only goes to Bangor after all.)  When I talk to them I start talking like them, just as anyone else, but I'm not picking up on something belonging to someone else, I'me rediscovering something that once was mine.

Parts of I can't even describe.  "Fucking" takes on new character.  Of course one drops the 'g' because, seriously, it was halfway gone already, but there's also something with the vowel.  I can't put my finger on it but I can feel that my mouth is doing something different and hear that the sound is somehow changed.

When talking with people from farther north it's like I regain a part of myself.

And then it goes away again.

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Mind you, right now, having not gone away completely,  it happens to be also fucking with my spelling something awful because I keep on wanting to write things like "fathah noath" since I tend to think and spell phonetically and, lest we forget, my accent is almost entirely dead most of the time so I don't hear "Ah" and think, "Right, the letter between Q and S," thus when I get back into a propah-speech mode I get outta propah spellin mode.

Captain America: Why is Tony Stark in this movie? (Watsonian)

Spoilers of course.

Captain America: Civil War is the first time we ever see Tony's mom.  Apparently he loved her very much.  That's interesting because based on his past characterization I had always assumed he had no mother and was grown in a vat.

Still, Tony Stark had a mother.  She died.  For three Tony Stark movies and two avengers movies no one gave a damn about his mother or her death.

This movie, though, hinges on her.

Everything comes down to the fact that Tony will stop at nothing (not even killing a friend) to avenge his mother in a "Life for a life; I don't fucking care he was brainwashed," kind of way.

It is significant, I think, that after learning that the Winter Soldier killed both of his parents Tony never mentions his father.

In theory Tony got closure on his daddy issues in Iron Man II, but in practice he doesn't give a shit about his dad's murder but good fucking god is he pissed about his mom.  This is mildly interesting because at the beginning of the movie he says his big regret was not telling his dad that he loved him.

Doesn't really matter though.

What matters is that Tony will stop at nothing to kill the longest held, arguably worst treated (mind control is a form of torture that, thankfully, doesn't exist in the real world), prisoner of war in history for something he isn't responsible for and a villain who has never even met Tony could figure that out.

All he had to do was put Tony on a collision course with Bucky and Tony would try to kill Steve and thus tear the avengers apart.

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So, in a sense, that's why Tony is in the movie.  No one else is enough of an asshole to really make it work.  Especially since, as of that point in time, all of the original avengers had been mind controlled to one extent or another and thus understood how that interacted with responsibility and whatnot.

Natasha, for example, immediately put the breaks on Hawkeye's post-mind control self-inflicted guilt spiral because the killing he did while under mind control couldn't and shouldn't be blamed on him.  It wasn't his fault.

Even Tony should get this because the reason he created Ultron and thus nearly killed most life on earth was due to having his head fucked with by Wanda.

But he's Tony.

So the villain needed to draw Tony in.  I get that.

If you're going to use a hero to accomplish your villainy in the MCU your best bets are Tony Stark and his sidekick Rhodey.  Unfortunately to get Rhodey you generally need to be in a position to manipulate the US military at pretty high levels.  Also Rhodey is probably going to figure out eventually.

Tony, on the other hand, is a canon that's so loose it might fall off the damned boat (or spin around and take out the crew) and so he can be manipulated much more easily.  Instead of trying to manipulate an organization (the US military) you've just got to manipulate one person.

Tony is the weak link, the low hanging fruit, and the easy mark.

It does, in fact, make sense for Tony to be in this movie.  What doesn't make sense is how much he's in the movie.

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Tony's only reason to be in the movie is because the villain wants him there.  That's easily accomplished.  The villain has information that Tony wants.  He could have been dropping bread crumbs for Tony that would ultimately lead Tony into the final confrontation.

So we'd see the main action, cut to Tony finding another clue and getting closer to the truth, (which would be a very short scene) and then cut back to the main action.

It wouldn't be until the end, when Tony's search leads him to the same place as Steve and Bucky, that we'd understand why we've been having these brief cuts to Tony's investigation, and even then we wouldn't know for sure until, like in the actual move, the villain's plan kicks into final thing:

Tony gets to watch his parents being murdered by Bucky back when Bucky was brainwashed.  Tony goes into murder-death-kill mode.  Steve goes into "What the fuck man; he was brainwashed!"

So then the question becomes, why the hell was Tony in the movie as much as he was and in the way that he was?

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Tony is more or less retired.  He isn't even working with the fucking avengers when the movie starts and the role he seems to be filling until he gets a black eye is not his damned role.  He stole it from a female character.

Maria Hill is the one who does the shit he's doing.  Why did he steal her job?  When did he steal her job?  After the Ultron fiasco, why would anyone trust him enough to let him steal her job?

Even if he somehow manged this usurpation via the ancient rite of "I control your funding; do what I say" why is no one pissed off about this?  Why is not a peep uttered?

One might believe that he could be called in for the big fight because he makes weapons of mass destruction the way most people produce carbon dioxide, and he incorporates them into his suits the way most people ... um, assimilate ingested nutrients?

But he wouldn't fucking be leading one team.  There's no call for that.  Probably Rhodey should be since he was the only character to put forth a cogent argument in favor of that side.*  Failing that Hill could be in the lead but they'd probably have her do it from off-site since, while she definitely has the skills for field work, she seems to prefer doing things back at base.

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There's a reason for him to be there at the end, we covered that, other than that pre-black eye he was stealing Maria Hill's job, and post black eye he was stealing Rhodey's.  With one exception.

When Tony goes to recruit Spider-Man that's ... how the fuck did Tony know about Spider Man or know that Peter Parker was Spider-Man to begin with?

Totally serious here.  It just drops out of nowhere as a complete non-sequitur and leaves us wondering, "What the fucking fuck was that?

The most logical explanation, if applying logic to this movie is itself logical, is that Jarvis somehow found out while he was off being half/dead semi-merged with the internet during Age of Ultron and passed that info onto Tony post resurrection (either as Jarvis pre-Vision creation, or as Vision post-movie.)  However if that is the case then Vision should be the one recruiting Peter (possibly by proxy if it was thought Vision of the Red Skin would be too disconcerting for Aunt May.)

If Vision had done it then it might do a bit to explain why a team of "heroes" recruited a child soldier.  Vision is, age-wise, an infant and thus might not understand why recruiting a child, someone older than him, would be a problem as compared with recruiting an adult.

But ... we've got no fucking clue how Tony knew and thus no way to make sense of it for in-universe reasons, and thus no idea if it actually made sense for Tony to be there.

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Ok, so I think that covers everything

In the beginning the role filled by Tony should have been filled by Maria Hill.

When Tony recruits Peter there is no sense and reason has been banished.  We can reach no conclusions.

After that what he does should have been done by Rhody until...

At the very end Tony actually belongs there because no other avengers are quite fucked up enough to be manipulated into doing exactly what villain wants and thus the villain wouldn't have chosen any of the other ones.

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* If you missed said argument, don't feel bad.  Maybe you just sneezed.

The bastards who made the movie didn't give Rhodey much in the way of lines or characterization so it's easy to miss pretty much anything he does other than get hurt and cause Tony great "I am a white man and my black friend is hurt" sympathetic pain.

Way more was devoted to Rhodey as a vehicle by which we can experience affluent white pain than Rhodey as someone capable of explaining the problems with Steve Rodgers' vision of the world.

Non-Wakandan black lives may matter, the movie sort of concedes, but a) only insofar as white people have feels about those lives and b) their lives mattering sure as hell doesn't mean their thoughts matter.

And, yes, that's really, really fucked up.

Wednesday, June 1, 2016

The Sierpinski triangle and the structure of Life After

This is the Sierpinski triangle:

It's a fractal and can be generated thus:


You just go on forever because, you know, fractal.

For our purposes only the first three or four matter, depending on what we consider the smallest unit.  After I realized how this applied to the structure of Life After it made me feel kind of stupid for not noticing it sooner.  In my defense, though, it was backwards.  So it's not like I was looking at:
1, 3, 9, (27)
And failing to catch the pattern.  In my prosecution, though, repeatedly looking at (27), 9, 3, 1 and trying to figure out how to explain that without realizing --until I drew a diagram (actually it was the second diagram)-- that it corresponded to the Sierpinski triangle is still pretty bad.

Anyway.

Life After.

We can look at Life After from the top down in which case it consists of three thingys (motion, counter motion, climax) and a distant epilogue.  The thing is that the thingys are on accelerating pace.  Each one only takes up third of the length of the one before it.

On the other hand we can look at it from the bottom up.  In the original conception the chapter was the basic unit of Life After.  So it would be Chapter 1, 2, 3, 4, 5, ...  At that point the story didn't really have a structure, there were some glaring problems, and it was all a bit slapdash.

So, in the new conception the chapter is still the smallest unit, but the basic unit is something consisting of three chapters that, for lack of a better word, I'm calling a "part".  Parts are numbered in Roman numerals so they don't get confused with chapters (westernized Arabic numerals) and thus it'll be I-1, I-2, I-3, II-1, II-2, ...

Chapters never number higher than three, the number of parts goes on until the story runs out.

Parts can then be grouped by threes as well, so ... um, call such grouping "sections".  If one does this, though, the last section, though, is degenerate because the number of parts isn't divisible by three.

And that's when we get to the overall structure.

The first three sections make up the motion, the next section is the counter motion, the one part-long thing that remains (1/3 of a section) is the climax.  And then the distant epilogue is one chapter long.

So we have

Motion:     3 Sections  -  9 Parts   - 27 Chapters
Counter-motion:     1 Section   -  3 Parts   -  9 Chapters        
 Climax:                 -  1 parts   -  3 Chapters 
  Epilogue:                              -  1 Chapter     

It's easy enough to understand that each new bit is a factor of three less long than the previous one.  It was harder, for me at least, to see what was being formed.  Like I said, it took two diagrams.

Anyway, the structure if we look at the chapter level (i.e. every black triangle represents a chapter):


And for those who didn't understand a damned thing I said above, or just need a visual aid, pretty colors:



To see a chapter, Part I, Chapter 1 is in purple
To see a part, Part III (all three chapters) is in blue
To see a section, Section Two (all parts and thus all chapters) is in green.

There's an interesting feature of this kind of structure.  If you ignore size and just go with the rule that a triangle is a triangle then you can actually show the entire thing in a single triangle:


In black are the chapters of the motion, blue are the chapters of the countermotion, purple are the chapters of the climax, and red is the single chapter of the epilogue.

Random alternate ways of visualizing things:


Of course this is mostly looking in more detail than I originally was since, as I said, the part is the basic unit.  Sure, that leaves the epilogue out of consideration, but it also simplifies thing.

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Probably no one cares about any of this, but it really helped me figure out where things stood on a meta level.

It's also significant because it ties into the the importance of numbers such as three and nine in Norse mythology.

So, yeah, stuff.

One of the things I worked out in pen on paper when I couldn't sustain screen time.