So, after posting the image for the open thread at Ana's I mentioned that in addition to not wanting to include a potential phobia in the open thread image, the bee was also hard to get a good shot of because it wouldn't stay in one place long enough for me to finagle the camera's auto focus into focusing on the right thing. (It's not exactly a top of the line camera, I don't even think it has a manual focus. I remember when auto focus cost more and manual focus came standard, how things change.)
Anyway, I looked through the pictures again and I noticed this:
Now that's scaled down a lot because I take huge pictures. (Why? Because you can always scale down later but you can't scale up if you took something in crap resolution.)
This still isn't full resolution because I keep things reasonable sized for the blog, but look at the detail on those wings:
So, apparently I did manage to focus on the bee successfully at least once after all.
Saturday, May 16, 2015
Thursday, May 14, 2015
How I met Michael Mock (for legal purposes assume this to be fiction)
It came up on facebook. Addressed to Michael Mock (thus he is the "you"). Reproduced below:
It was just after getting back from stopping the zombie apocalypse of 2052, the temporal distortion had been intense (it created an entirely new timeline, after all) and it made for a somewhat hard landing.
I was disoriented, the driver was trying to fix the rear axle, and I am so, so sorry about what happened to your clothes.
I swear I didn't know that [redacted] stained so much. Anyway, I hope the dry cleaning went well, though it occurs to me that I've never asked, and thanks for not messing up the timeline by telling me we'd already met when we next met.
All things considered, it's kind of surprising we only overshot by that much, it was a 40 year trip crossing timelines midstream, but the important thing is that we met, soon after I was returned to the time whence I had originally come, and the driver made it back to her home time too.
Also, no zombies. Generally a good thing.
It was just after getting back from stopping the zombie apocalypse of 2052, the temporal distortion had been intense (it created an entirely new timeline, after all) and it made for a somewhat hard landing.
I was disoriented, the driver was trying to fix the rear axle, and I am so, so sorry about what happened to your clothes.
I swear I didn't know that [redacted] stained so much. Anyway, I hope the dry cleaning went well, though it occurs to me that I've never asked, and thanks for not messing up the timeline by telling me we'd already met when we next met.
All things considered, it's kind of surprising we only overshot by that much, it was a 40 year trip crossing timelines midstream, but the important thing is that we met, soon after I was returned to the time whence I had originally come, and the driver made it back to her home time too.
Also, no zombies. Generally a good thing.
-
(Since we're calling it fiction)
Saturday, May 9, 2015
KP EbE - I'm either humble to the point of lying or out of touch with reality (Theme Song)
(I've decided to call this project "Kim Possible: Episode by Episode", which is the KP EbE in the title.)
The standard format of a Kim Possible episode is 40 to 50 seconds of episode to hook you, a minute of title sequence/opening credits, and then back to the episode.
Since the title sequence is the same for every episode, it seems like it's worth addressing up front and thus getting out the way.
First, the theme song.
Ok, you know, it should be easier to find a teenage female superhero with non-superpowered friends.
If I wanted to talk about Peter Parker's non-superpowered schoolmates that would be easy, but for a female superhero I can't find one in the time I'm willing to devote to such a quick part of what I'm saying.
Normal people are vitally important to the salvation of any given planet, but they generally don't do it on their own. Moreover, her odds of success aside, Kim is not basic or average.
The eldest child of a brain surgeon (her mother) and a rocket scientist (her father), she is world famous, quite popular, almost universally beloved, the captain of the cheer squad, involved in a stunning array of extra curricular activities, blessed with attractive features, near the top of her class in spite of having almost no time to study, well versed in martial arts to the point of knowing 16 types of Kung Fu alone, capable of athletic feats that other cheerleaders and other globe trotting world savers (both groups having more experience than she does) consider impossible, and so on.
Athletically, even with the cartoon rules of the world in question, the average girl probably couldn't match Kim even if training were all she did. There's a reason that some fanfic writers posit that Kim does, in fact, have superpowers. She's got a body Olympians would envy and, while she presumably has to work hard to keep it in that good shape, she cannot possibly be training as much as they do.
With the other things ... your average girl would burn out so very fast if they had to juggle the things Kim chooses to juggle. Which brings us to another point, a lot of people don't get to choose.
Caveat before I get to that:
High School environments vary wildly. If you don't believe me, look at any discussion of a fictional depiction of a high school social structure. Some people will be convinced that a high school like that doesn't exist, didn't exist, and will never exist. They'll assure you that it's a weird fictional convention with no basis in reality whatsoever. Other people lived it. That thing that was so far from group one's experience that group one thinks its impossible for it to exist in reality? That was group two's experience.
Ok, so, anything detailed I say about high school cannot be taken as universal because nothing is BUT it is generally the case that people cannot live a life strictly of their own choosing. After all, for you to be accepted in a group you don't just have to decide that you want to be in it, they have to welcome you.
Apart from not being able to sit at the senior table before she's a senior, there's basically no group Kim won't be accepted by. All that she needs is to want it.
Kim can fit in with basically anyone anywhere. That's not average. Kim's school does have a "Food Chain" and Kim is way up at the top, but she's so far up at the top that she can have her best friend be the pond scum at the bottom without it harming her standing. She's transcended the petty social structure.
Or, for the short version of almost everything since the quote of the first two lines of the theme song:
Kim isn't an average every-girl, she's a power fantasy. She does what she wants, with who she wants, and the world will bend to her whims.
Sometimes she does get brought back down to earth. The very first episode has her being reminded that despite her illusions to the contrary, she is not above getting thrown in detention for being repeatedly tardy.
Occasionally she will have it impressed on her that someone else is better at her than something or that her way is not, in fact, the best way.
But, overall, the fact that she literally lives up to the family motto ("Anything's possible for a Possible,") means that she's not basic or average.
The song has this contradiction in it, of course. The song is about the show, so it can't all be, "I'm totally average," because she's not.
So, with the problem of the opening lines dwelled on way too much, let's do the whole song, starting from the top:
--She saves the world
--She's unstoppable for the simple fact that she's herself
--She can do anything
--She runs toward danger
--It's none the less important to call her
--She's there to end. (Verily.)
--She's always on call.
It's a pretty good summing up of her character, especially as seen through her own eyes. She isn't quite as good as she thinks. Ron, her best friend and sidekick, helps but Rufus (Ron's pet naked mole rat) is the one who ends up saving her when she gets in over her head more often than not. (Because if it's over her head it's definitely over Ron's head.)
She's not quite unstoppable and while it does seem that she can do anything (given time and motivation) she can't always do it as quickly as she assumes she can.
Moving on, usually she's called in for help but sometimes she does simply see something bad happening and jump in to help on her own initiative.
Off the top of my head I can think of a grand total of one time she gave up, and that was because she thought it was the very end.
With one notable (and unintentionally cruel) exception, we never see her turning down a call.
Over all pretty good for an opening; apart from "I'm your basic average girl" there's nothing that stands out as "... and they have a plan" false advertising. Though I do note that "beep me" makes "page me" redundant as a beeper is just a beeping pager, and also that she is hardly ever called or beeped onto a mission. A request for help is put in at her website, her friend Wade contacts her via computer or a secure multipurpose (including video conferencing in this case) device known as a "Kimmunicator".
I've recently come into contact, via Ana Mardoll, with the song The Princess Who Saved herself:
The song, and a comment by one of the people involved in adapting it into a children's book, has me looking at Kim Possible in a different light. The Kim Possible theme is a minute long, so it can't go into the kind of the detail that The Princess Who Saved Herself does, and it goes before every episode so it has to be pretty generic, but there are important differences beyond that.
The princess never meets a challenge she can't beat, but when faced with a dragon trying to burn her castle down she's appropriately scared. She doesn't assume her victory is a forgone conclusion the way "you can't stop me" and "there is nothing I can't do" implies for Kim.
That's not just bluster in the theme song either, Kim really does have nigh unsinkable self confidence and a general lack of fear.
That's not the thing that made me bring up The Princess Who Saved Herself.
This is:
She ties the dragon to the tree (by his tail) because he trying to burn the castle down but then she talks to him and, afterward, offers him tea and becomes friends with him. Tying him to the tree was a short term solution, like Kim winning a fight, compassion was her long term solution, like Kim sending someone to jail.
Don't get me wrong, the bad guys in Kim Possible ought to go to jail. They're usually thieves, often would-be world conquerors, and they have a habit of doing things that are incredibly unethical.
But when I have Kim Possible on one side and the princess on the other, it makes me wonder about a lack of solving problems by means that don't include blowing things up and throwing people in jail.
The princess "defeated" the witch by being willing to talk to someone who was different (wrinkled old and green) about what that person wanted out of fashion. Kim can't even accept her best friend's preferred haircut without first seeing her attempt to change it explode with such force that Europe's power grid is taken out by the shrapnel. (Ok, not quite how it happened, but we'll cover it in detail when we hit episode 5.)
I could very well be forgetting something, four seasons of stuff is a lot to try to keep in one's head, but I can think of only one example where the follow up to stopping the evil plot involved the kind of compassionate welcoming approach of the princess. Kim didn't do it. Ron did. (That's episode 25, who knows if we'll ever get there.)
It's not like there isn't opportunity to try reaching out. Half the time Drakken isn't trying to take over the world, he's craving validation or trying to prove himself to people who laughed at him. A nice talk about how they can't give you a Nobel Prize if you never publish your research or how cool everyone would think he were if he adapted his hover-pod technology into flying cars for all and it's entirely possible that one super-villain could be eliminated entirely, in the best way possible.
Not everyone is potentially receptive to that kind of thing. Shego, Drakken's second, is in the evil business for the evilz. Mind you for her that seems to mean getting paid to steal things and fight.
The point isn't that Kim should respond to every problem with the compassion of an absurdly welcoming heart. My point is that being faced with someone who saved her kingdom by being nice to people (even though she could kick ass and take names if she wanted to) while I was getting ready to write this post really made me start to question whether Kim's standard response (retrieve what was stolen, blow everything up, get bad guys arrested) is really the best one available.
I was going to talk about the title sequence over which the theme song plays, but I've kind of run out of time. Maybe tomorrow.
The standard format of a Kim Possible episode is 40 to 50 seconds of episode to hook you, a minute of title sequence/opening credits, and then back to the episode.
Since the title sequence is the same for every episode, it seems like it's worth addressing up front and thus getting out the way.
First, the theme song.
I'm your basic, average girlThen you're ... kind of screwed. There's a reason that when the fate of the world is at stake we turn to ...
and I'm here to save the wold
Ok, you know, it should be easier to find a teenage female superhero with non-superpowered friends.
If I wanted to talk about Peter Parker's non-superpowered schoolmates that would be easy, but for a female superhero I can't find one in the time I'm willing to devote to such a quick part of what I'm saying.
Normal people are vitally important to the salvation of any given planet, but they generally don't do it on their own. Moreover, her odds of success aside, Kim is not basic or average.
The eldest child of a brain surgeon (her mother) and a rocket scientist (her father), she is world famous, quite popular, almost universally beloved, the captain of the cheer squad, involved in a stunning array of extra curricular activities, blessed with attractive features, near the top of her class in spite of having almost no time to study, well versed in martial arts to the point of knowing 16 types of Kung Fu alone, capable of athletic feats that other cheerleaders and other globe trotting world savers (both groups having more experience than she does) consider impossible, and so on.
Athletically, even with the cartoon rules of the world in question, the average girl probably couldn't match Kim even if training were all she did. There's a reason that some fanfic writers posit that Kim does, in fact, have superpowers. She's got a body Olympians would envy and, while she presumably has to work hard to keep it in that good shape, she cannot possibly be training as much as they do.
With the other things ... your average girl would burn out so very fast if they had to juggle the things Kim chooses to juggle. Which brings us to another point, a lot of people don't get to choose.
Caveat before I get to that:
High School environments vary wildly. If you don't believe me, look at any discussion of a fictional depiction of a high school social structure. Some people will be convinced that a high school like that doesn't exist, didn't exist, and will never exist. They'll assure you that it's a weird fictional convention with no basis in reality whatsoever. Other people lived it. That thing that was so far from group one's experience that group one thinks its impossible for it to exist in reality? That was group two's experience.
Ok, so, anything detailed I say about high school cannot be taken as universal because nothing is BUT it is generally the case that people cannot live a life strictly of their own choosing. After all, for you to be accepted in a group you don't just have to decide that you want to be in it, they have to welcome you.
Apart from not being able to sit at the senior table before she's a senior, there's basically no group Kim won't be accepted by. All that she needs is to want it.
Kim can fit in with basically anyone anywhere. That's not average. Kim's school does have a "Food Chain" and Kim is way up at the top, but she's so far up at the top that she can have her best friend be the pond scum at the bottom without it harming her standing. She's transcended the petty social structure.
Or, for the short version of almost everything since the quote of the first two lines of the theme song:
Kim isn't an average every-girl, she's a power fantasy. She does what she wants, with who she wants, and the world will bend to her whims.
Sometimes she does get brought back down to earth. The very first episode has her being reminded that despite her illusions to the contrary, she is not above getting thrown in detention for being repeatedly tardy.
Occasionally she will have it impressed on her that someone else is better at her than something or that her way is not, in fact, the best way.
But, overall, the fact that she literally lives up to the family motto ("Anything's possible for a Possible,") means that she's not basic or average.
The song has this contradiction in it, of course. The song is about the show, so it can't all be, "I'm totally average," because she's not.
So, with the problem of the opening lines dwelled on way too much, let's do the whole song, starting from the top:
I'm your basic average girl,
and I'm here to save the wold.
You can't stop me cause I'm
Kim Poss-i-bile.
There is nothing I can't do,
and when danger calls just
know that I am on my way.
(Know that I am on my way.)
It doesn't matter where or
when there's trouble,
if you just call my name
Kim Possible.
Call me, beep me
if you wanna reach me
When you wanna page me it's okay
Whenever you need me baby
Call me, beep me
if you wanna reach me
(Call me, beep me)
(if you wanna reach me)
Doesn't matter where,
doesn't matter when:
I will be there for you
till the very end.
In danger or trouble
I'm there on the double.
You that you always can call
Kim Possible.
Call me, beep meSo we get a quick rundown of things:
if you wanna reach me
--She saves the world
--She's unstoppable for the simple fact that she's herself
--She can do anything
--She runs toward danger
--It's none the less important to call her
--She's there to end. (Verily.)
--She's always on call.
It's a pretty good summing up of her character, especially as seen through her own eyes. She isn't quite as good as she thinks. Ron, her best friend and sidekick, helps but Rufus (Ron's pet naked mole rat) is the one who ends up saving her when she gets in over her head more often than not. (Because if it's over her head it's definitely over Ron's head.)
She's not quite unstoppable and while it does seem that she can do anything (given time and motivation) she can't always do it as quickly as she assumes she can.
Moving on, usually she's called in for help but sometimes she does simply see something bad happening and jump in to help on her own initiative.
Off the top of my head I can think of a grand total of one time she gave up, and that was because she thought it was the very end.
With one notable (and unintentionally cruel) exception, we never see her turning down a call.
Over all pretty good for an opening; apart from "I'm your basic average girl" there's nothing that stands out as "... and they have a plan" false advertising. Though I do note that "beep me" makes "page me" redundant as a beeper is just a beeping pager, and also that she is hardly ever called or beeped onto a mission. A request for help is put in at her website, her friend Wade contacts her via computer or a secure multipurpose (including video conferencing in this case) device known as a "Kimmunicator".
-
I've recently come into contact, via Ana Mardoll, with the song The Princess Who Saved herself:
(you don't need to watch or listen if you don't want to)
(I'll say everything that's important to my point in text)
The song, and a comment by one of the people involved in adapting it into a children's book, has me looking at Kim Possible in a different light. The Kim Possible theme is a minute long, so it can't go into the kind of the detail that The Princess Who Saved Herself does, and it goes before every episode so it has to be pretty generic, but there are important differences beyond that.
The princess never meets a challenge she can't beat, but when faced with a dragon trying to burn her castle down she's appropriately scared. She doesn't assume her victory is a forgone conclusion the way "you can't stop me" and "there is nothing I can't do" implies for Kim.
That's not just bluster in the theme song either, Kim really does have nigh unsinkable self confidence and a general lack of fear.
That's not the thing that made me bring up The Princess Who Saved Herself.
This is:
What I love about our heroine is that she fearlessly takes on every challenge and will kick a dragon’s butt if necessary, but in the end, she’ll always handle the problem by reaching out with compassion.That's from Greg Pak, the one who headed up adapting the song into a book, in an interview with Black Girl Nerds.
She ties the dragon to the tree (by his tail) because he trying to burn the castle down but then she talks to him and, afterward, offers him tea and becomes friends with him. Tying him to the tree was a short term solution, like Kim winning a fight, compassion was her long term solution, like Kim sending someone to jail.
Don't get me wrong, the bad guys in Kim Possible ought to go to jail. They're usually thieves, often would-be world conquerors, and they have a habit of doing things that are incredibly unethical.
But when I have Kim Possible on one side and the princess on the other, it makes me wonder about a lack of solving problems by means that don't include blowing things up and throwing people in jail.
The princess "defeated" the witch by being willing to talk to someone who was different (wrinkled old and green) about what that person wanted out of fashion. Kim can't even accept her best friend's preferred haircut without first seeing her attempt to change it explode with such force that Europe's power grid is taken out by the shrapnel. (Ok, not quite how it happened, but we'll cover it in detail when we hit episode 5.)
I could very well be forgetting something, four seasons of stuff is a lot to try to keep in one's head, but I can think of only one example where the follow up to stopping the evil plot involved the kind of compassionate welcoming approach of the princess. Kim didn't do it. Ron did. (That's episode 25, who knows if we'll ever get there.)
It's not like there isn't opportunity to try reaching out. Half the time Drakken isn't trying to take over the world, he's craving validation or trying to prove himself to people who laughed at him. A nice talk about how they can't give you a Nobel Prize if you never publish your research or how cool everyone would think he were if he adapted his hover-pod technology into flying cars for all and it's entirely possible that one super-villain could be eliminated entirely, in the best way possible.
Not everyone is potentially receptive to that kind of thing. Shego, Drakken's second, is in the evil business for the evilz. Mind you for her that seems to mean getting paid to steal things and fight.
The point isn't that Kim should respond to every problem with the compassion of an absurdly welcoming heart. My point is that being faced with someone who saved her kingdom by being nice to people (even though she could kick ass and take names if she wanted to) while I was getting ready to write this post really made me start to question whether Kim's standard response (retrieve what was stolen, blow everything up, get bad guys arrested) is really the best one available.
-
I was going to talk about the title sequence over which the theme song plays, but I've kind of run out of time. Maybe tomorrow.
-
Friday, May 8, 2015
HHII: Graduation 1.5 - Larry makes contact
[Graduation 1.5 here.]
[So, I realized that I forgot to have a follow up on Larry's mission in Graduation 1.5, thus: a follow up on Larry's mission. Vivian, Oliver, and Larry are the only characters from the show here, everyone else was hastily made up on the spot because the background characters at the robot rumble never really got names or characterization.]
The night's events hadn't started yet when the power had been lost, there were only a dozen members present and they'd all been in the antechamber at the time.
[So, I realized that I forgot to have a follow up on Larry's mission in Graduation 1.5, thus: a follow up on Larry's mission. Vivian, Oliver, and Larry are the only characters from the show here, everyone else was hastily made up on the spot because the background characters at the robot rumble never really got names or characterization.]
“How many geniuses does it take to
screw in a lightbulb?” someone asked.
Someone else, clearly in no mood for
jokes, said, “Not screw in, build. Build a light source in total
darkness.”
“No need to get snappy, Mary,” the
first voice said.
“Shut up, Peter.” Mary almost shouted.
“Shut up, Peter.” Mary almost shouted.
“Could both of you be quiet, some of
us are trying to work here,” a new voice said.
For about twenty eight seconds there
was silence and then the same voice said, “Almost … there.”
About a dozen people in the underground
chamber blinked as their eyes adjusted to the light.
Vivian, the owner of the third voice,
said, “Now we need to find out how bad things are.” Then she
noticed a body on the floor, “Oh, god! Oliver.”
Mary and Rob joined her in checking on Oliver, the others started to do diagnostics.
Mary and Rob joined her in checking on Oliver, the others started to do diagnostics.
“What's wrong with him?” Mary
asked.
“He's lost power,” Vivian said while pulling back fake skin to get at the machinery beneath.
“He's lost power,” Vivian said while pulling back fake skin to get at the machinery beneath.
“Oliver's an android?” Rob asked,
though it was more an expression of shock than a question.
“Who built him?” Mary asked.
“I did,” Vivian said without
looking up from what she was doing.
* * *
The night's events hadn't started yet when the power had been lost, there were only a dozen members present and they'd all been in the antechamber at the time.
Vivian continued to work on Oliver as Rob and Mary watched.
Peter and Alicia had gone off to set up a
generator that they had never used. It was intended to power a line to
the outside world in the case of an eventuality such as this. The
set up was designed so that the generator would power a small
computer terminal, a vertical conduit, and various equipment for
sending and receiving data at a small, disguised, surface station.
The system was wonderful, of course.
It was designed by geniuses. The gas generator that was supposed to
power it had been bought at a Smarty Mart, hauled in, and largely ignored
(because it had never been needed.) It was proving very difficult
for the geniuses to get working.
The six other members took it upon
themselves to find out what was working and what wasn't in the other
rooms they could access, and, of course, see which other rooms they could access.
* * *
“What's going on?”
Oliver asked. “How did I get here?”
“You lost power,” Vivian
told him while putting his cosmetic pieces back in place so that he
again resembled a human being.
At the same time Peter and
Alicia finally got the emergency line to the outside up and running.
When the data came in Alicia said, “This is impossible.”
“I don't see anything,”
Peter said.
“Exactly. All systems are
operational,” Alica pointed to some readouts, “but we're not
receiving anything. No internet access on the wi-fi or the
hard-line, no phone line, cell phone towers aren't responding, no AM
or FM broadcasts. No television. No shortwave.”
“Satellites?” Peter
asked.
“Nothing yet, I'm still looking.” She closed her eyes, composed herself, then delivered her conclusion: “It's like the outside world stopped existing.
“Nothing yet, I'm still looking.” She closed her eyes, composed herself, then delivered her conclusion: “It's like the outside world stopped existing.
Oliver had finished
describing his memory of events to Vivian, Mary, and Rob. Mary
explained, “It's called blacking out. It happens to human beings
sometimes when they drink too much or hit their head. Things that
are in short term memory don't get transferred to long term for
whatever reason, so it gets lost.”
“You can't have lost too much,” Vivian said. “You update your permanent memory a minimum of once every two hours.”
Vivian noticed that Mary was looking away. “What is it?” she asked.
“You can't have lost too much,” Vivian said. “You update your permanent memory a minimum of once every two hours.”
Vivian noticed that Mary was looking away. “What is it?” she asked.
“Did you hear--” Marry
stopped. Then walked to the door. She put her ear on it.
“Someone's out there.”
“If they were allowed in
they'd be in by now,” Rob said. Then his face met his palm with a
loud smack. “Except that without power the security system is down
so no one can get in or out.”
Mary knocked on the door. A
knock returned from the outside.
“We need to let them in,”
Vivian said.
“We don't even know who it
is,” Peter said with suspicion.
An underground robot fight
club wasn't technically illegal. It wasn't technically legal,
either. It was in a technical gray area that involved subterranean
rights disputes, definitions of pets, anti-dog-fighting laws, the
push and pull between the desire to stimulate innovation and the
desire to clamp down on sensitive technology, baroque restrictions on
AI, strange interpretations of what it meant to corrupt minors, the
'93 Tri-City Skate Park Accords, SV-288, the UN Accord on Non-Human
Workers' Rights, the precise definition of “person” at any given
moment, a semi-secret agreement between NATO and the Warsaw Pact
countries following the industrial mishap of '82, whether or not
certain people were within 500 meters as the crow flies, what “as
the crow flies” means when discussing underground tunnels, which
judge was hearing the case, who had been bribed by whom, and the
brand of root beer the eventual jury was given access to.
There was a reason
attendance was by invitation only.
“Whoever it is might know
what's going on outside,” Alicia said mainly to Peter.
Kit Bash, a recent addition
to the rumble, had been drawn by the discussion and asked, “What's
going on?”
“Do we have access to the tool room?” Vivian asked Kit.
“Yeah,” Kit said, “but it's about all we have access to. The others are still looking into things, but most of the doors are too heavy to move without power.”
“Do we have access to the tool room?” Vivian asked Kit.
“Yeah,” Kit said, “but it's about all we have access to. The others are still looking into things, but most of the doors are too heavy to move without power.”
“Get the others, get some
tools, and cut open that door,” Vivian pointed to door the knocking
had come from. It was a standard sized door, made of metal, and it
served as the main entrance and egress to the robot rumble.
* * *
“The ventilation system is
down; there are only so many rooms the air can circulate in; keeping
the generator running is a danger to us all,” Peter said.
“There has got to be
something out there still operational. Just give me a few more
minutes,” Alicia said without looking away from the screen.
“You said that a few
minutes ago.”
Alicia typed in a new set of
commands and waited for a new batch of data.
* * *
Kit was kicking the door
while Mary and Rob cut it. Vivian and Oliver were overseeing
everything and everyone. Unfortunately, at this point there wasn't a
lot of hope left, and there weren't many things to do to pass the
time. Everything had been checked and double checked. Cutting
through the door and looking over the results from the outside line
were the only things left to do.
Mary Rob and Kit worked on
the first, Alicia and Peter had the second taken care of, Vivian and
Oliver supervised, and the five other people just sat, stood, and
walked in circles doing nothing.
Finally the door gave.
So much attention was paid
to that event that no one save Peter noticed Alicia say, “Oh my
God!” a heartbeat later.
In a moment everyone
recognized the person on the other side.
Vivian said, “Hey, Larry!”
as Oliver said, “Greetings, Imperial Senator Bernilus.”
“Do you know what's going
on?” Mary asked him.
“We've been cut off since
we lost power,” Vivian explained.
“Alien invasion,” Larry
said.
For a moment there was
silence, then cacophony. Rob's “Your kidding,” was the only
statement it was possible to make out.
“He's not,” Alicia
shouted. “You all better take a look at this.”
Soon everyone was crowded
around her at the computer terminal. “It took forever to find a
satellite that was still online, but once I did I found videos from
all over the world.” She punched a few keys and brought up video
of the alien war machines defeating a battalion of tanks with ease.
“People are reconstructing a global communications network using
the handful of satellites and ground stations that are still
active, but so far the only messages seem to be people comparing
notes on how the alien machines are unbeatable.”
“My cousin Kim was
abducted from her graduation just before the invasion started,”
Larry said.
“That's right,” Vivian
said as a memory came to mind. “Middleton High School Graduation
tonight, it's why Justine was a no-show.”
“Justine and some others
are trying to make defenses for the people who took shelter in the
high school,” Larry said, “I was sent here to see if we could
make some robots of our own to fight those things.”
“Those things?” Mary's voice was an ode to incredulity.
“Those things?” Mary's voice was an ode to incredulity.
“I've always wanted to
work with bigger things,” Rob said.
“I know where a construction company stores their equipment,” Kit said.
“Hydraulics are fun,” Mary conceded.
“I know where a construction company stores their equipment,” Kit said.
“Hydraulics are fun,” Mary conceded.
“The space center is set
up for large scale construction,” Vivian told everyone. “If you
can get it there, we can assemble whatever you find however you want
it.”
“The power would be down at the Space Center too,” Alicia said. “The blackout is global. The attack took out everything that was generating power along with most active transmission lines.”
Vivian smiled, “The Space Center can make its own power, and the system would have been safely shut down when the attack started.”
“The power would be down at the Space Center too,” Alicia said. “The blackout is global. The attack took out everything that was generating power along with most active transmission lines.”
Vivian smiled, “The Space Center can make its own power, and the system would have been safely shut down when the attack started.”
Alicia shrugged. “So,
away we go to build giant robots?”
“Not you,” Vivian said.
“Not you,” Vivian said.
“No?”
“You know the tunnels better than anyone. I want you to get as many people underground as possible,” Vivian said. “It's not safe up there.”
“Nice plan,” Alicia said, “but there's only one of me. How am I supposed to reach more than a handful of people?”
“The robots from the rumble might be too small to fight the things out there,” Vivian said, “but they're far from useless.” Addressing the whole group she said, “Everyone give your command codes to Alicia,” then addressing only Alicia she said, “They'll be your messengers, just get the message out that it's safe here, and let people know how to get into the tunnels and caverns.”
“That's a nice plan,” Peter said, “but we can't get to the robots.”
“You know the tunnels better than anyone. I want you to get as many people underground as possible,” Vivian said. “It's not safe up there.”
“Nice plan,” Alicia said, “but there's only one of me. How am I supposed to reach more than a handful of people?”
“The robots from the rumble might be too small to fight the things out there,” Vivian said, “but they're far from useless.” Addressing the whole group she said, “Everyone give your command codes to Alicia,” then addressing only Alicia she said, “They'll be your messengers, just get the message out that it's safe here, and let people know how to get into the tunnels and caverns.”
“That's a nice plan,” Peter said, “but we can't get to the robots.”
“I can,” Alicia said.
“There's a back way into the storage room from a spur path half a
mile down that tunnel,” she said pointing through the door they'd
cut open.
Vivian smiled. “I said no one knew the tunnels like her.”
Vivian smiled. “I said no one knew the tunnels like her.”
“Ok, good,” Peter said.
“Can we turn off the generator before the carbon monoxide kills us
all?”
“Yes,” Alicia sighed, “we can turn off the generator.”
“Yes,” Alicia sighed, “we can turn off the generator.”
They split into four groups.
Alicia went on her own to where they stored the robots so she could
start her “Search and Tell to Hide” operation. Vivian and Oliver
went to the space center to get the fabrication equipment ready. Kit
led Rob and Mary to construction equipment they hoped to use in
building their own giant robots. Peter led the rest in a mission
that was one part reconnaissance to see if the alien robots had any
exploitable weaknesses, one part scavenging anything that seemed like
it might be useful in fighting them, and three parts keeping heads
down and hoping to live through the night.
-
Kim Possible: Episode by Episode - Index
The original idea was to take the show Kim Possible and look at it one episode per post but starting with the second episode I slowed down to half an episode per post. (The movies were designed to be split into three episodes each so that's how I'll approach them.) That works out to looking at Kim Possible about a eleven minutes at a time.
It isn't exactly a close reading, because a lot can happen in those eleven minutes, but it's a lot slower than just trying to sum up an entire series in one go (e.g."True love defeats Issac Newton's fate machine," bonus points to the first person to name the series.)
The point of this is twofold, one is just to do it because people expressed an interest. The other is to do it because I actually have a lot of ideas for Kim Possible fic, right now I'm already doing four*, and it's probably the case that many readers here don't know that much about the show. This will, hopefully, serve as a way to get to know the show better if you so desire.
One of the things that has to be said at the outset is that I tend describe things with a very critical eye, so remember that for every flaw I point out, I'm still talking about something I like.
I'll be taking things in a slightly modified production order. When those modifications come up, I'll explain why they're there.
It isn't exactly a close reading, because a lot can happen in those eleven minutes, but it's a lot slower than just trying to sum up an entire series in one go (e.g."True love defeats Issac Newton's fate machine," bonus points to the first person to name the series.)
The point of this is twofold, one is just to do it because people expressed an interest. The other is to do it because I actually have a lot of ideas for Kim Possible fic, right now I'm already doing four*, and it's probably the case that many readers here don't know that much about the show. This will, hopefully, serve as a way to get to know the show better if you so desire.
One of the things that has to be said at the outset is that I tend describe things with a very critical eye, so remember that for every flaw I point out, I'm still talking about something I like.
I'll be taking things in a slightly modified production order. When those modifications come up, I'll explain why they're there.
Theme Song - I'm either humble to the point of lying or out of touch with reality
Title Sequence - All About Me
You mean my social status doesn't exempt me from the rules? (Tick-Tick-Tick)
When I manipulate you into doing something, you aren't supposed to excel (Bueno Nacho, post 1)
Please direct all apologies to me, even if you were actually mean to someone else (Bueno Nacho, post 2)
I find your suffering vexing (Monkey Fist Strikes post 1)
Your irrational prejudice will be vindicated (Monkey Fist Strikes post 2)
Even though you're my best friend, I still think you're a freak (Attack of the Killer Bebes, post 1)
Title Sequence - All About Me
You mean my social status doesn't exempt me from the rules? (Tick-Tick-Tick)
When I manipulate you into doing something, you aren't supposed to excel (Bueno Nacho, post 1)
Please direct all apologies to me, even if you were actually mean to someone else (Bueno Nacho, post 2)
I find your suffering vexing (Monkey Fist Strikes post 1)
Your irrational prejudice will be vindicated (Monkey Fist Strikes post 2)
Even though you're my best friend, I still think you're a freak (Attack of the Killer Bebes, post 1)
-
[Kim Possible Index]
-
-
* In order of creation:
- Being more than Simulacrum - Less than a year After The Series (ATS), Shego creates a clone of Kim and won't say why, but neither will she lie to the clone. In accordance with fictional cloning regulation 23a, the clone has all of Kim's memories. The story follows the clone as she tries to create a life of her own.
- Forgotten Seeds - 500 years ATS a handful of people (including four characters from the show) wake up in a lunar cryo prison to find that the other prisoners are all dead and there's no evidence that humanity, outside of themselves, still exists.
- Bent, not Broken - Ten years ATS Kim has lost everything and is out for something. She isn't really sure if that something is justice or vengeance.
- Life After - In 2029 a villain changes 2004 causing a crossing between life and the afterlife. In 2004 Kim has disappeared forcing her friends to step up in the face of a cataclysm. In 2029 Shin, Kim's daughter, and her nemesis work together to survive in a hostile world where they were never born.
-
Most recently updated February 13th, 2016
I haven't seen age of Age of Ultron, but since it's being talked about so much . . . the title has been bugging me for a while
Ever since I've heard the name I've been confused. The space age is the shortest age I know of. It lasted a decade. Most ages are much longer. Most ages are generations.
"Age of Apocalypse" makes sense. Time travel was involved so that this new situation had been around for decades. (Two of them.) It's short, as ages go, but it lasts for a standard mathematical generation (twenty years) so it can be considered an age.
Ever since I've heard the name I've been confused, how can Ultron have an age in a single movie? The movie isn't going to follow the six generations of Avengers who formed the backbone of the resistance for all those years. The movie isn't going to end with everyone aged up by a decade.
I'm betting that it doesn't even have Ultron ruling earth for a single year (though I could be wrong on that point.)
The only explanation I've ever heard offered is that maybe there's great dispute over how old Ultron is. Has he reached the age of consent? Can he be tried as an adult? Did we miss his birthday?
"Age of Apocalypse" makes sense. Time travel was involved so that this new situation had been around for decades. (Two of them.) It's short, as ages go, but it lasts for a standard mathematical generation (twenty years) so it can be considered an age.
Ever since I've heard the name I've been confused, how can Ultron have an age in a single movie? The movie isn't going to follow the six generations of Avengers who formed the backbone of the resistance for all those years. The movie isn't going to end with everyone aged up by a decade.
I'm betting that it doesn't even have Ultron ruling earth for a single year (though I could be wrong on that point.)
The only explanation I've ever heard offered is that maybe there's great dispute over how old Ultron is. Has he reached the age of consent? Can he be tried as an adult? Did we miss his birthday?
Monday, May 4, 2015
Life
Sometimes life is good. Yesterday I saw Home, it's a good movie. I saw it in good company.
Sometimes life is bad. After the movie there were hours spent lost on unmarked roads. When we finally went in the right direction after the third time through a certain intersection, it turned out that the "next right" was a lie and you had to continue straight except since the roads were all unmarked there was no way to know that you were on the wrong road (or the correct one) and thus decision making ended up being, "We'll try this until we lose all hope."
It was well passed my bedtime before we even made it to the beginning point of our journey, it is better not to speak of when we reached the end.
This morning, hours before anyone had any business being conscious, a small child chose to share my bed. Quickly sleeping peacefully the small child dominated the pillow space and I didn't sleep well for the rest of the time I should have been sleeping.
Through the day I was sluggish, acomplishing far less than I should have.
After child-school the children decided to spend an hour + "Abandon all hope ye who enter here; I gave up checking my watch ages ago," at the playground which wouldn't be a problem except for the fact the climate made Death Valley look cool and the sunlight was very direct and very searing.
Heat tends to unsettle my digestive system. As does getting too little sleep because of getting to bed late (lost on unmarked roads) or waking up early (bed invaded by child, pillows lost in the initial attack.)
I'd already offered to buy children slush. When how I felt went beyond ill and started to feel like someone was somehow dropping large rocks inside of my intestines I changed the offer to, "Heat makes me sick, I'm going. If we don't go now, I'm not getting you slush."
As expected, 50% of the population was easily persuaded. Somewhat unexpectedly the other 50% wasn't persuaded at all. Fortunately that was the portion that could be counted on to safely get home on it's own.
Slush turned into ice cream for the compliant 50% and I decided to drop that half off at the house and then head back for the other half after, hopefully cooling my body down with slush of my own in the middle.
I got the house to the surprise that the other 50% was already there.
Hours later: an evasive story changes in repetition indicating that previous claims were false and therefore:
The 50% left at the school who made it home on own left all stuff at school, outside, unguarded, in plain sight. Including a shiny new trumpet.
Drama later: The stuff is returned.
Cool down time later: the trumpet leaver has claimed the house, locking all doors with deadbolts. Keys would be useless even if we had one.
Bullshit later: get back in house, start writing this post.
Last week I had to miss a final because of problems with medication. The teacher was understanding, even though I was going to be unable to take the test until two days from now.
This week medication hasn't been a problem, but I think I might have been better off if depression, anxiety, and withdrawal systems were my problem this week.
Sometimes life sucks.
Fucking deadbolts.
Sometimes life is bad. After the movie there were hours spent lost on unmarked roads. When we finally went in the right direction after the third time through a certain intersection, it turned out that the "next right" was a lie and you had to continue straight except since the roads were all unmarked there was no way to know that you were on the wrong road (or the correct one) and thus decision making ended up being, "We'll try this until we lose all hope."
It was well passed my bedtime before we even made it to the beginning point of our journey, it is better not to speak of when we reached the end.
This morning, hours before anyone had any business being conscious, a small child chose to share my bed. Quickly sleeping peacefully the small child dominated the pillow space and I didn't sleep well for the rest of the time I should have been sleeping.
Through the day I was sluggish, acomplishing far less than I should have.
After child-school the children decided to spend an hour + "Abandon all hope ye who enter here; I gave up checking my watch ages ago," at the playground which wouldn't be a problem except for the fact the climate made Death Valley look cool and the sunlight was very direct and very searing.
Heat tends to unsettle my digestive system. As does getting too little sleep because of getting to bed late (lost on unmarked roads) or waking up early (bed invaded by child, pillows lost in the initial attack.)
I'd already offered to buy children slush. When how I felt went beyond ill and started to feel like someone was somehow dropping large rocks inside of my intestines I changed the offer to, "Heat makes me sick, I'm going. If we don't go now, I'm not getting you slush."
As expected, 50% of the population was easily persuaded. Somewhat unexpectedly the other 50% wasn't persuaded at all. Fortunately that was the portion that could be counted on to safely get home on it's own.
Slush turned into ice cream for the compliant 50% and I decided to drop that half off at the house and then head back for the other half after, hopefully cooling my body down with slush of my own in the middle.
I got the house to the surprise that the other 50% was already there.
Hours later: an evasive story changes in repetition indicating that previous claims were false and therefore:
The 50% left at the school who made it home on own left all stuff at school, outside, unguarded, in plain sight. Including a shiny new trumpet.
Drama later: The stuff is returned.
Cool down time later: the trumpet leaver has claimed the house, locking all doors with deadbolts. Keys would be useless even if we had one.
Bullshit later: get back in house, start writing this post.
Last week I had to miss a final because of problems with medication. The teacher was understanding, even though I was going to be unable to take the test until two days from now.
This week medication hasn't been a problem, but I think I might have been better off if depression, anxiety, and withdrawal systems were my problem this week.
Sometimes life sucks.
Fucking deadbolts.
Subscribe to:
Posts (Atom)