Showing posts with label TV Show. Show all posts
Showing posts with label TV Show. Show all posts

Tuesday, April 16, 2019

Stumbling Toward Redemption -- Chapter 2 (Equestria Girls)

[Chapter 1 of this story is here.]
[Originally posted at Fimficiton.]
[I'm using "~ ~ ~" to indicate changing perspectives without changing scenes.]

When awareness first returned to her, Sunset felt pretty good, all things considered.  That changed very fast when she realized the ground beneath her was moving and deforming under her weight.

She resisted the urge to bolt upright, and instead started to take an inventory of her body while pretending to still be asleep.

Her fingers and toes were still intact, though her toes protested a bit because she was still wearing her boots.  She had various aches and pains, but nothing unexpected.  Actually, considering she'd been blasted by one of the most powerful magical artifacts in the history of Equestria, she would have expected to have rather more discomfort than usual.

It wasn't hard to figure out why the ground was so disturbingly not-solid.  She was in a bed of some sort.  Not just any bed either. A warm bed with actual sheets on it.  If she had come here, wherever here was, to go to sleep, all of that would be great.  When it came to waking up, though, it was concerning.  Why would she be in a bed?

She didn't exactly have an overabundance of people who would let her crash at their places.  Also, if some mysterious bed-giver had appeared out of nowhere, Sunset would have taken off her boots before going to sleep.

It wasn't that she was unaccustomed to sleeping in them, it was just that --since she rarely had the opportunity to take them off-- taking them off would have been almost immediate if she'd been given a warm place to stay.

The alternative to a mysterious benefactor, however, didn't make sense any either.  If someone with ill intent had taken her, they'd have dumped her on the floor.  Probably inside a closet.  Likely with the door locked.

People did not, so far as Sunset knew, keep beds in closets.

Since this was going nowhere, Sunset opened her eyes.  She was alone for the moment.  No reason not to take a look at her surroundings.

There was nothing familiar, but also nothing that stood out as threatening.  As she allowed herself to examine the room more, she actually found it to be incredibly generic.

After getting out of the bed as quietly as she could, Sunset looked for anything she could use to defend herself.

Soon after, she was walking down a hallway while armed only with a lamp.  The hallway had more character --it was painted sky blue with accents in every color-- but it didn't tell her much.  Anyone who liked clear skies and rainbows, which was sort of an odd combination when you thought about it, could live here.

The hall ended in an open plan kitchen/dining room/living room.  At first she thought this area was empty too, but a closer look revealed familiar rainbow hair peaking over the back of the couch in the living room section.

“Rainbow Dash?” Sunset asked in confusion as she let her arms drop to her sides.

~ ~ ~

Rainbow Dash gave a startled yelp, and her whole body jolted involuntarily.  It wasn't the best introduction ever, so she took a moment to compose herself and make sure she'd look cool and calm before she greeted Sunset.

In a single smooth and, she hoped, casual-seeming motion she transitioned from the jumble she'd been in to a sort of kneeling position, with her left arm draped over the back of the couch, that allowed to look in Sunset's direction. As she did that, she said,

“Hey you're--” and the rest of the sentence was forgotten, because now that she could see Sunset, she had an entirely unrelated topic on her mind, “Why're you holding a lamp?”

“I woke up in a strange place,” Sunset said as though that explained everything; “I didn't know where I was or who I might be facing.”

“And your first thought was to pick up a desk lamp?” Rainbow asked.

“Yes, because your guest room is absolutely brimming with defensive weapons,” Sunset said.  If her tone hadn't conveyed her extreme annoyance, the exasperated gesture she made with her non-lamp hand would have gotten the point across on its own.

Rainbow attempted not to laugh.  She utterly failed.  What ended up coming out started with a snort and ended with a snicker.  It wasn't the smoothest transition in the history of laughter, and neither was it quick.

“Are you finished?” Sunset asked.

“Not sure,” Rainbow said.

In a quick movement that was part flip and part roll, she deposited herself behind the couch, so that she was standing facing Sunset with nothing between them.

In other circumstances she probably would have made a bigger deal out of what went into that roll-flip.  Right now, however, there was a lamp-wielding Sunset Shimmer asking her whether or not she was done laughing, and that took precedence.

Rainbow said, “I'll have to check what's on the agenda,” and instantly regretted it.  If there had been a laughter-related agenda, that comment wouldn't be on it.

Sunset seemed to agree. “Truly, you are a comedic genius.”

Rainbow said, “Thank you,” as though Sunset had been sincere, because she didn't know what else to do.

After that, it seemed that Sunset didn't have anything to say.  Rainbow didn't either.  Well, that wasn't quite true.  She had questions, but they weren't things you started a conversation with.

A few seconds passed in silence.  Maybe having the couch hiding most of her body had been a good thing.  Rainbow was in danger of becoming fidgety, and that was most definitely not awesome.

Sunset seemed to have taken up an interest in ceiling tiles.  Possibly the number or arrangement of ceiling tiles rather than the tiles themselves.  Definitely something ceiling-related.  Given that that wasn't an ordinary thing for Sunset to do, Rainbow figured that she wasn't the only one finding this whole thing awkward.

The silence had to be broken somehow, so Rainbow asked, “If you weren't expecting to see me when you woke up . ? .” and realized that it probably would have helped if she had actually had a before asking.  With that in mind, Rainbow settled on, “Well, what do you remember?”

~ ~ ~

Figuring it was best to just get it over with, Sunset said, “You mouthed off when I was about to surrender, I decided that I'd get the crown just to spite you, it turns out that twisting an Element of Harmony to your whims when you're pissed off is a bad idea, things went pear shaped, there were rainbows, I was reduced to tears, Rarity wants an apology for the Spring Fling, Pinkie Pie apparently thinks that running face first into solid stone is a good idea, and I took up bricklaying as a hobby.”

“And after that?” Rainbow asked.

Sunset closed her eyes and attempted to call up any additional memories.  None came.  She was laying bricks, then . . .

“Not a thing,” she said.

“I think that Luna was making you stay and work so that she could keep an eye on you,” Rainbow said.  “It's not a bad idea in theory but she's only one person and I saw kids holing up in places she wouldn't notice them.”

That was just silly.  Sunset said as much.  She didn't actually say those words, but she did say, “Kids were holing up?  Is there a war or natural disaster, of which I was unaware, presently ongoing?” which meant the same thing.

“They were waiting for you,” Rainbow said.  “You didn't think everyone would be satisfied with just a tearful apology, did you?”

“Of course not,” Sunset said, then walked in a small semicircle so she was looking at the wall instead of Rainbow.  Things weren't going to go well, that much was obvious.

Sunset sighed.  “That doesn't explain why I'm at your house.”

“Escort duty.”

“Assigned by whom?”

“Kinda gave myself the job.”

Ok, that was definitely believable, except for one thing.  “I would have said, 'No.'”

“I uh,” Rainbow started, “I didn't give you a choice.”

That got Sunset's attention.  The idea was so absurd that she nearly laughed as she turned around to face Rainbow again.  When she was looking the other girl in the eyes, Sunset asked, “You kidnapped me?” in disbelief.

“No,” Rainbow said.  “I threatened to kidnap you, then we hammered out an arrangement whereby you'd let me take you to your home if I bought you dinner.”

That brought things back to not making sense.  It wasn't that what Rainbow was saying seemed unreasonable, but, much like before, there was one tiny detail that threw the whole thing into doubt.

“This is not where I live.”

“Good,” Rainbow cracked smile, an impish little thing, before continuing with, “because if you'd been living here all this time, and I never noticed, I would be very disturbed.”

“So . . .” Sunset said.  That was all she said, because it should have been enough. It wasn't.

“So what?” Rainbow asked with the kind of 'innocent' look that is only ever employed by people who know exactly what they're guilty of and are proud of it.

“How did I get here?” Sunset asked.  She had to make an effort not to growl.  Apparently, not being an asshole was more difficult than it appeared from the outside.

“When we were stopped at a red light, you ran off through the woods. so you could eat pizza out of a dumpster.”

Sunset nodded.  That made sense, especially because, “That does sound like me.”

There was a beat of silence, then Rainbow asked, “What do you have against pepperoni?” as though it were the most serious and important topic in the world.

How Sunset answered really depended on what Rainbow already knew, so she asked, “Did Twilight Sparkle tell you where we come from?”

“Pony Princess land?” Rainbow said in a way that was clearly more question than answer.

That made things easier.  If Rainbow knew 'pony' instead of 'human', then she was probably ready to accept that things might be vastly different on the other side.

“Equestria has animals that look like the ones you have here,” Sunset explained, “but when it comes to cognition they couldn't be more different.”

Sunset took a breath, decided to massively oversimplify things --Rainbow was asking about pepperoni not neuroscience, after all-- and said, “Short version: you might as well be eating people if you eat meat other than fish.”

What followed was the first time Sunset had ever seen Rainbow utterly horrified. Her 'we're all gonna die' face actually looked serene in comparison.

That was not what Sunset wanted to do.  It wasn't just that Rainbow had been reasonably nice so far, in spite of having so very many reasons not to be.  It was also . . . everything.  It was warmth.  It was a bed.  It was how they weren't talking about what Sunset had done, and tried to do, before the bricklaying last night.

Because of all those things and more, breaking Rainbow Dash's brain was not on the agenda for the day.

Rainbow started to ask, “But here they're not--”

“No, they're not,” Sunset answered, “but that doesn't mean I suddenly want to eat things I spent my entire childhood thinking of as . . . that.”

“Ok,” Rainbow said quickly. “Good.”

Rainbow nodded to herself.  When she said, “I was worried there for a second,” it looked and sounded like she had completely recovered from her Soylent Green moment.

That was good.  Now Sunset could leave without anything new to feel guilty about, and leaving sounded really good right now.  There hadn't been all that much to say, they' said most of it, and she was still holding a damned lamp.  There was, she was pretty sure, only one question left to ask, “What happened after the peperoni?”

“You started to give an impromptu lecture on magic,” Rainbow said, “and then you fell asleep.”

Sunset tilted her head to the side as she said, “Oh.”

A few moments later she added, “That does explain why I'm here, I guess.”

Sunset was reasonably sure that that covered everything.  She looked around, though she wasn't entirely sure why she did.  She didn't think of anything else.

She lifted the lamp a bit and looked it over.

“Thanks for not leaving me in the parking lot,” she said to Rainbow.  “I'll . . . put this lamp back, now.”

Sunset turned around and headed back to the guest room.

~ ~ ~

Rainbow hadn't realized she'd been expecting anything, and still didn't know what she'd been expecting, but she must have been expecting something, because she was absolutely sure that this was so very much not the unknown thing that she'd been expecting.

As she started to follow Sunset, Rainbow said the first thing that came to mind, “That's it?”

Sunset kept walking down the hall, she didn't look back or break her stride when she answered with, “All of my questions are answered, everything makes sense,” she reached the guest room door and went in, “so yeah: that's it.”

When Rainbow entered the guest room the lamp was already in place and Sunset was performing the contortions necessary to actually plug it in.  Rainbow wasn't sure whether it was the outlet or the desk, but something was placed in just the wrong way, which is why the outlet in question was generally considered a lost cause.

That wasn't important at the moment, though.  It was just easier to think about than the fact that Sunset, who had seemed pretty normal, lamp notwithstanding, earlier was now acting in way that screamed, 'Abnormal!'

Rainbow didn't know how to approach that, and she fell back on some questions she wanted answered, “How about why you were eating out of a dumpster--”

“It's where the food is,” Sunset said.

“--why you were undernourished enough to pass out--”

“That wasn't about nutrition, it was about the magic,” Sunset said.  She had said as much last night, but Rainbow was pretty sure that wasn't the whole truth.

“--and where you live?”

“Wherever I want to,” Sunset said.  A moment later she gave a grunt, then announced, “And it's in.”

As Sunset slid out from under the desk, Rainbow said, “Sunset . . .” in a way that she hoped would be gentle and friendly enough to turn the suddenly snippy back and forth into a conversation again.

Unfortunately, Rainbow's attempt at 'gentle and friendly' happened to coincide with 'slow', which allowed to Sunset to interrupt with, “Rainbow . . .” said in the same way Rainbow had spoken her name.

Rainbow pinched the bridge of her nose and tried to remember if she was stocked up on headache medicine.  She said, “. . . if you're from another world--”

“Then I'm here illegally, yes,” Sunset said as she got back on her feet.

Rainbow hadn't thought about that at all, and didn't plan to start now.  She tried to get things back on track, “That's not--”

Sunset cut Rainbow off again; it was annoying, “After everything else you've learned about me,” Sunset checked that the lamp turned the lamp on and off, which it did, “I fail to see how that would be surprising.”

At this point Rainbow wasn't sure if Sunset was actively trying to be aggravating, or if that just came naturally to her.  Regardless, Rainbow finally got to the question she'd been trying to ask, “--where do you live?”

“Already answered that one,” Sunset said as she headed toward the hall.

Rainbow considered pointing out that Sunset's answer had answered nothing, but decided to drop that point and move on.  She asked, “Who do you live with?”

This time Sunset did actually stop walking to answer.  More than that, she actually turned and made eye contact.

“Rainbow, you've known me for years,” she said.  “Do you honestly think I could cohabitate with someone for any length of time without one of us killing the other?”

Then she turned right back around and walked out of the room. Rainbow followed.

Because it was the most straightforward way to approach things, Rainbow responded the way she would have if Sunset had said the same thing in a normal conversation, “This isn't a joke.”

“I don't know,” Sunset said, “after last night I'm kind of feeling like a punchline.”

Rainbow thought that statement over for a moment, just to check, then said, “I'm not convinced that makes sense.”

“A demon unicorn redeemed by weaponized rainbows walks into a bar . . .” Sunset said.

“That's a premise, not a punchline.”

“. . . and she gets kicked right back out because the bouncer thinks she's a human . . .”

“And that definitely doesn't make sense,” Rainbow said.

“No,” Sunset said, as she reached the front door.  “And humans aren't allowed to drink until a ridiculous age.”

While largely beside the point, Rainbow felt obligated to tell Sunset exactly what she thought of the alleged 'joke', “If there's such thing as the opposite of funny--”

“Goodbye, Rainbow Dash,” Sunset said as she left.

Rainbow followed her out the door then picked up where she'd left off, “--that's it. It's not even a bad joke, it's just . . . nothing.”

Sunset stopped and turned around, which left her standing in the middle of the street.  Rainbow was still on the sidewalk.

“That's not the joke,” Sunset said.

Rainbow couldn't tell what it was --it could have been her voice, her expression, her body language, or something else entirely-- but something about Sunset was different. It was not different in a good way.

Whatever it was, it was disturbing.  It was like looking at an injured limb hanging at an unnatural angle.  It was deeply, unnervingly wrong.

“The joke is that I'm standing here,” Sunset said, her volume just below a shout.  “A unicorn in a world with no magic.  An adult in a world that thinks adults are children because how the fuck can you people not realize that teenagers are old enough to look out for themselves?  The personal apprentice of a very real, and very powerful, god-Princess in a world where gods are naught but legends and princesses are impotent figureheads.”

Rainbow thought that Sunset's eyes were on the brink of tears, though she wasn't completely sure.  Sunset kept going, “The joke is that everything I am is made for another world and nothing about me belongs in this place.  I'm the non-sequitur.  I'm the thing that doesn't fit and makes no sense that you stick at the end of the joke to get a cheap laugh.”

Apparently to prove that point, Sunset started quoting a commercial their class had been shown when they covered non-sequiturs and other calculated forms of randomness, “'Anything is possible when your man smells like Old Spice and not a lady,'” Sunset said in a very non-Sunset way.  It wasn't hard to see where this was going.

I'm a horse!” Sunset shouted so loudly that Rainbow was sure it must have hurt.

Rainbow said the word, “So,” slowly, drawing it out while she tried to think of how to respond.

Part of her wanted to say that teenagers shouldn't have to take care of themselves.  Rainbow's life, for instance, was only possible because someone else paid the bills. That allowed her concentrate on things like sports.

Part of her wanted to tell Sunset that everything would be all right, though she had no idea if it were true.

Part of her wanted to apologize, though she didn't know what she would be apologizing for.

Part of her wanted to avoid weighty topics entirely and instead mention that she'd completely forgotten about that silly commercial until Sunset quoted it.

There were doubtless other parts that wanted other things, but there was only so much one could think in the span of a single 'so'.

She ended up finishing the sentence with, “. . . you're not taking this well at all,” which was pretty weak and had become painfully obvious.

“I got hit by a magical light show and left in a hole in the ground,” Sunset shouted, “not six months of therapy!”

And they'd gone in a circle, because the only thing Rainbow could think of in response to that was, “I'm not even sure that sentence makes sense.”

“I want,” Sunset said. “To be. Alone.”

Sunset paused.

“Please leave me alone.” She was definitely blinking back tears now.

It wasn't that Rainbow was against that, but she was worried.  She took a moment to clear her head.  Then she asked, “If I do, am I gonna see you again?”

“Are you being morbid,” Sunset asked in return, “or do you think I'm a flight risk?”

Honestly, Rainbow wasn't sure.  She said, “Just . . .” and then gestured as though that would somehow get the point across.  It came as no surprise when it didn't. She tried again, “Just tell me.”

“I'll be at school on Monday,” Sunset said. She looked at the ground.  “Whether I'll be allowed to attend classes remains to be seen.”

Rainbow believed her, and said, “I'll see you then.”

Sunset didn't look up.

Rainbow wanted to say something else.  She didn't know what, but this wasn't how she wanted the conversation to end.  It felt like there had to be some better way to part ways.

She couldn't come up with anything.

Sunset, for her part, barely moved.  She just kept on looking at the same spot on the ground that she'd been looking at.

Rainbow walked back to her house.  Sunset hadn't moved.  Rainbow went inside, headed back in the direction of the couch, glanced at the window, then stopped.

Through the curtains, Sunset was a vaguely person-shaped blob.  What bothered Rainbow was that Sunset still hadn't moved.

After a few seconds, which felt like an eternity, the Sunset-blob did finally move.  When Sunset was on the opposite sidewalk, Rainbow let out a breath she hadn't realized she'd been holding and looked away.

It still didn't feel right to let Sunset go in the state she was in, but Rainbow didn't know what else to do.  Also, she was well aware that continuing to watch Sunset would definitely cross the line between being concerned and being creepy, assuming she hadn't already, so she tried to turn her attention to other things.

It took a minute to get her mind moving in the right direction, but she eventually started thinking about the day ahead.  She should call her friends and figure out a good time to meet.  They still had a lot of catching up to do. Lost time to make up for too.

Of course, they also needed to discuss Sunset, and right now Rainbow wasn't up for that.

Things had seemed pretty good at first, too.  Though, truthfully, that was the problem.  If it had happened in the opposite order, 'shouty breakdown' first and 'normalish conversation' second, she probably would have had no problem dealing with it.  As it was, everything was a mess.

Rainbow walked over to the couch and let herself collapse onto it.

*
* *
* * *
* *
*

So, notes.

I wrote a thing!  Given how I've been lately, that's pretty major for me right now.

This was originally supposed to be part of a chapter with larger scope.  It was going to be three scenes.  This one, the relevant adults (Celestia and Luna) discussing the previous night, and Rainbow and her friends discussing Sunset.

Much of this was already written, the other parts as as stalled out as anything, and I crammed in so much here between the lines of dialogue that it's as long as Chapter 1 anyway, so I figured I'd polish it and post it as a chapter.

That didn't exactly go as planned.  A lot of this was overhauled or rewritten from the ground up, and I'm not sure if I managed to take out everything that no longer applies in the revised version.

If I'm doing this properly, familiarity with Equestria Girls is not required to understand this story.  No idea if I'm pulling this off.

I generally don't like assuming that the setting has the same pop culture as the real world because there are some huge differences.  Naming conventions, skin colors, and hair colors are the big ones.  Given how huge appearance is in the real world's present and past, the world of Equestria Girls can't have the same history or culture as our own.

So, with all of that in mind, I just included Soylent Green and the Old Spice man (and Just the two of me has the Twilight Zone, which is absurdly prominent in Chapter 2.)  I might not be the best at sticking by my convictions on this topic.

For reference, Soylent Green is people and this is the Old Spice commercial:



A cool tidbit about it is that the only CGI is the diamonds and the old spice rising out of them, the rest of it was done in a single take using only practical effects.

Rather less cool are the implicit assumptions it's built upon.

Sunday, September 16, 2018

Take A Look Around My World -- Prologue (Equestria Girls and Friendship is Magic)

[Meta crap: I've been sort of emotionally zombified for ages.  One of the results being an inability to write.  There was a fanfiction contest and I decided to try to write a piece for it in hopes that the deadline would provide the motivation I couldn't produce myself.  It somewhat worked.  I didn't produce a story, but I did write something.  This prologue being the only part that's fit for public consumption.]
[Originally posted at Fimfiction.]

Sometimes things went sideways.  Sometimes, through no fault of your own, you were forced to defend your honor or your image and say, in a way that didn't sound particularly insecure, they you were not uptight about romance, didn't freak out, and most certainly were not at risk of ruining your upcoming vacation by descending into an episode catastrophizing self-recrimination.

All of which was why Sunset said, “I'll have you know I'm totally laid back and face all relationship matters with cool aplomb,” to five of her friends and one of her girlfriends while they all waited on the arrival of Applejack and Vinyl Scratch at their usual cafe.

“If memory serves, love,” Octavia said, “our relationship began with you--”

“Oooh, me!” Pinkie Pie said while waving her arm around like a first grader.  “I've heard this story; please let me answer.”

Octavia shrugged and gestured for Pinkie to go on.

“Sunset said, 'You don't understand, it's still my fault,'” Pinkie said, quickly accelerating to a frantic pace, “'I manipulate people; it's what I do.  I survived for years a child with no family, friends, home, history, money, or knowledge of this world based solely on my manipulation skills!'”

Several of the others, most notably Rarity and Fluttershy, gave sympathetic looks to Sunset.  Sunset became inordinately interested in removing non-existent dirt from under her fingernails.

Pinkie turned away in apparent shame and slowed down, “'My ability to make people do whatever I wanted.'”

Octavia raised an eyebrow.

Pinkie turned back and spoke with renewed determination:

“'I got so good at it that now I do it without even trying --without even noticing what's happening.'”

Pinkie took a breath then launched into another accelerating part, which was accompanied by body language of utter desperation:

“'When I realized that I loved Vinyl I told myself I could keep it under control, but I couldn't, and I seduced her.  It doesn't matter that she's the one who kissed me because it's all my fault and I am so sorry and I'm begging you not to hold it against her because I love both of you so much and--'”

Pinkie Pie stopped suddenly, returned to the posture she had had before the topic came up, and calmly said, “And that's when Octavia cut Sunset off with, 'Both of us‽'” at a normal pace.

Sunset looked up from her nails.

“I don't care how many times you heard the story,” she said, “no one ever has ever told it in that much detail.”

“Yes,” Octavia said.  “However did you know?”

“Just a hunch.”

“Pinkie Pie's dubious claims of hunches aside,” Sunset said to Octavia, “if the only evidence you can give is from the very beginning of our relationship--”

“Oh, I can give a great deal of examples beyond that one,” Octavia said, “however, that particular instance is very close to my heart as it was the foundation upon which my romance with you was built.”

“And you never let me live it down,” Sunset grumbled.  “It was completely reasonable for me to 'freak out' considering the fact that I had every reason to believe I'd just destroyed the lives of the two people I love most in any world.”

“Speaking of worlds,” Twilight said, “I'm so jealous of you all; you're spending all of your break in an alien world. I wish I were going with you.”  A moment later Twilight's eyes went wide and she said, “Well, not with you with you, it'd be incredibly awkward if I tagged along with the three of you on your date-vacation and I'm pretty sure the result would be that none of us would enjoy it in the least and--”

“Twilight,” Sunset said, “deep breaths.”

Twilight looked at the table and said, “Sorry.”

“Wanting to clarify an ambiguous statement is nothing to be ashamed of, Twilight,” Octavia said.

“Right,” Sunset said to Twilight, “what you were trying to do was fine and needs no apology; it's just that you don't need to do it, since we understood what you actually meant.”

“Ok,” Twilight said, but she was still clearly embarrassed.

“I'll ask mirror-side Twilight if she can take some time at some point to give you your own tour of Equestria,” Sunset said. Twilight's face lit up.

“Whoa,” Rainbow Dash said. “I don't think that Twilight squared should be inflicted on any universe.”

“Adding one Twilight to a world with another would be Twilight times two, not Twilight squared,” Twilight said.

“Yeah,” Pinkie Pie said, speaking in a bizarrely sagely manner, “to get Twilight squared you'd need Twilight cross Twilight not Twilight plus Twilight.”

“I don't even want to think about whatever sick horse-human hybrid you get when you cross the Twilights.”

Sunset rolled her eyes at Rainbow Dash then offered some clarification on one point: “The ponies of Equestria are no more horses --the kind you're familiar with, at any rate-- than the humans of this world are baboons.”

“Horse-baboon hybrids are coming for us all!” Pinkie Pie screamed and then proceeded to run around while flailing her arms.  Somehow this was significantly less disconcerting than when she'd tried her hand at sagedom moments earlier.

“In fact,” Sunset said, “the ponies of Equestria are actually a good deal less similar to the horses of this world than you all are to baboons.”

“Sub-horse-baboon hybrids are coming for us all!”

Vinyl walked into the cafe as Octavia asked, “What did I ever do to deserve this?”

Vinyl signed an answer to the question as she took the seat next to Sunset.

“That was unnecessarily lewd,” Octavia said, “besides, you were the one who wanted to do that with Sunset.  I, on the other hand, was merely open to the possibility that I might eventually come to love her if I gave it a chance.”

Sunset ignored that discussion and said, “All of this," she gestured to Pinkie, arms still flailing, "is pointless.”

Before anyone could agree with her seemingly reasonably statement, she elaborated:

“What you get when you cross Twilight with Twilight is not some horse-baboon hybrid.”  She paused a beat.  “It's the magnitude of this Twilight, times the magnitude of mirror-side Twilight, times...”

At the same time Sunset said, “...the cosine of the angle between them,” Twilight said, “...the cosine of the angle between us.”  Then the two high-fived each other.

Octavia looked at Vinyl and, in completely serious tones, asked, “What ever made us think it that dating a mathematician was an idea with merit?”

Vinyl smiled and signed back.

“Well of course I liked her work on the existence of fractal-like patterns in the fifth Brandenburg concerto,” Octavia said, “but she only did that once.  She happens to be a mathematician, and virulently so, every single day.”

“I love you too,” Sunset said without a hint of sarcasm and with a smile so persistent that it almost made it impossible for her to actually get the words out.

Vinyl signed a question that was more or less equivalent to, “What about me?”

“Of course I love you,” Sunset said while ruffling Vinyl's hair.

For a moment there was silence.

“Though, I am wondering why you're so verbose today,” Sunset said to Vinyl.

“I hadn't noticed,” Twilight said to Vinyl, “but Sunset's right.  For all of your fluency in both signing and written English, this has to be the most I've seen you use any language in one sitting when you weren't forced to do so by outside circumstances, such as school requirements or contract negotiations.”

Vinyl thought the matter over for a moment, then shrugged.

“There's the Vinyl we know and love,” Pinkie Pie said.

“Some more than others,” Rainbow said looking first at Sunset, then Octavia.

“Regardless,” Sunset said, “now that Vinyl's here . . .”

“We would be ready to commence our trip,” Octavia said, “except that we are short one member of our send off.”

“Which I still say is completely unnecessary,” Sunset said.

“Silly Sunset,” Pinkie said, “of course we all wanted to be there when you left.”

“It's tradition,” Rarity said.

“Though . . .” Fluttershy said, “tradition usually dictates it take place somewhere like an airport or train station.”

Silence, punctuated by the sounds of milkshakes being slurped, reigned for a time after that.  It ended when Rainbow's phone made a sound, she checked it, and she announced:

“Applejack says she's sorry she's late, and she'll meet us at the portal.”

“She isn't late,” Sunset said.  The others were simply early.

“I think she means that she would be late by time she arrived, dear,” Rarity said.


Applejack was already there when the others reached the statue.  With all of them present, three people leaving and six people staying meant eighteen hugs were exchanged.  Once that was finished, it was time for people other than Sunset to have last-minute jitters.

“I know we've talked about this, love” Octavia said, “but one last time: you're sure it's safe?”

Vinyl, standing behind Octavia, showcased an impressive range of emotions and sentiments in a span of moments.  These included, by were in no way limited to sympathy, “Cheer her up”, and an “I know you can do it” kind of confidence.  Also a bit of "This again?" which was offset by everything else.  There was a reason Vinyl seldom used signs or words: she rarely needed to.

“In all of recorded history,” Sunset said as Vinyl patted Octavia's shoulder reassuringly, “it's only ever acted up once, and that was for reasons that most definitely don't apply right now.”

“Oooh,” Pinkie said, “what were the reasons?”

"The magic journals providing the link between worlds, which allowed the portal to open outside of its ordinary schedule, had reached the end of their useful lives," Sunset rattled off, seemingly slightly bored.  She returned her attention to Octavia and said, now with conviction, “It's using a new pair now--”

“I'm keeping the one on this side safe!” Rainbow Dash said.

“--which are most definitely in their prime,” Sunset finished.  “Unless you do something silly like charge through the portal in a sprint--”

There was a cough which sounded mysteriously like "Twilight".  When Sunset looked, none of the girls took credit for it.

“--everything will be completely fine,” Sunset finished.  Sunset made eye contact with Vinyl, Vinyl nodded, and they hugged Octavia simultaneously: Sunset from the front, Vinyl from the back.

There was a group “Aww...”, though Sunset thought that it didn't sound like it came from the full group of six.

When Sunset separated from Octavia and tried to determine which of the girls were responsible, they all had their innocent faces on.  Again.  Well, all but one.

Twilight was looking positively perplexed.

After thinking a moment, Sunset said, “Mirror-side Twilight, before the Battle of the Bands.”

Twilight responded with an, “Oh.”  There was a bit of sheepishness there, probably because in retrospect Twilight realized that, given she'd never charged at the portal, they had to be talking about the other Twilight.

“Though," Rainbow Dash added, "Pinkie Pie tried to do the same thing on the night of the Fall Formal.”

Sunset cringed at the memory of Pinkie bouncing off of the statue base after the portal closed.

“Yeah,” Sunset said, “that looked like it hurt.”

“She did run face first into a wall of marble,” Rarity said.

“I was fine!” Pinkie Pie shouted with positive glee.

“So,” Octavia said, “I just have to walk through and everything will be all right.”

It was pretty clear that she was trying to convince herself instead of asking a question, but Sunset still answered:

“Yup, that's all there is to it.”  About a second and a half later she said, “Well, that's all there is to going through the portal, but you're going to want to remember to drop to all fours once you get to the other side.”

Vinyl raised her eyebrows signaling a question, then, her arms still around Octavia, mimed walking on all fours into a vertical surface: her right hand doing the walking while her left hand was the surface.

“You can if you want,” Sunset said, “but I think Octavia would find that rather undignified.”  The last two words were, of course, in an imitation of Octavia's voice.

Given the position of Vinyl's hands relative to Octavia's line of sight, Octavia had no idea what Sunset was talking about.

“What would I find undignified?” she asked.

Somewhat surprisingly, Fluttershy beat Sunset to the answer:

“Um . . . walking through the portal already on your hands and feet.”

Octavia nodded. “Yes.  I would.”

“So,” Sunset said, “are you ready?”

Octavia nodded again. “I believe that I am.”

Vinyl finally broke off the hug and kissed Octavia on the back of the head.

Sunset kissed Octavia on the cheek. She was about to turn away when Vinyl gave her a flat look.

“Well get your face over here, then,” Sunset said.

It would have been easy for Vinyl to go around Octavia, but instead she offered up her cheek over Octavia's shoulder.

Sunset gave Vinyl's cheek a peck and then turned to the portal.

“Well this seems unfair,” Octavia said in playful petulance. “When am I permitted to kiss someone?”

Sunset hesitated a moment, then half turned back and said, “As tempting as that is, why don't I head through first --make sure there are no surprises on the other end-- while you kiss Vinyl?”

Octavia and Vinyl both looked pleased with that suggestion.

“I'll see you on the other side,” Sunset said.  She ignored the numerous eye-rolls and stepped up to the portal.

The last thing she heard before the world was replaced with swirling rainbows was Applejack saying, “Ya'all have fun now.”


*
* *
* * *
* *
*

As noted, this came about because of a contest.  The contest was themed "Journeys" and required that Sunset Shimmer already be in a romantic relationship when the story started.

Sunset Shimmer is a magical unicorn living as a human in a non-magical human world, I'm most definitely not the only one to think that a trip to Sunset's home world made sense as the journey.

Vinyl Scratch (stage name DJ-Pon3) never speaks in canon.  Because of this, in fandom she's sometimes portrayed as physically unable to speak.  I've pretty much internalized that interpretation.

Of course, she never signs, writes, or types in canon either.  Instead all of her canonical communication is non-linguistic in nature.  Going with that, for this story I chose to have her prefer not to use language at all.

That then (somehow) evolved into Vinyl's mind-space being a combination of imagery and Peter and the Wolf style orchestration (in the draft versions of future chapters.)

Octavia Melody is a cellist who is often paired with Vinyl in fandom.  As of season five of Friendship is Magic, the pony versions canonically share a house.

Friday, April 13, 2018

But . . . It's not an Easter Story ("Jesus Christ Superstar" Live in Concert)

It's probably the case that no one else cares about this.

And honestly, while I do care about this, I'm probably more concerned that the Monday after Easter passed without me buying any discounted Caddburry Creme Eggs meaning that I haven't had any at all since I ran out of the ones someone sent me last year (thanks for that) because that had been a year without Caddburry Creme Eggs too, and someone took it upon themselves to help change that by mailing me some.  (Really, loads of thanks.)

Yet, I do care.  It bugs me.  It's been bugging me since Easter Fool's Day.  (April Fool's Easter? April Easter's Day?)

There are doubtless reasons for it being played on Sunday.  It's possible that other musicals are played on Sunday and that's just when it's scheduled, for example.  But ... but Jesus Christ Superstar is not a Sunday story.  It's not an Easter story.  It's a Friday story.

Like Godspell, created at about the same time, it ends with the crucifixion, not the resurrection.  Unlike Godspell it's got a narrower focus.  Godspell adapts the entire Gospel of Mathew along with bits of Luke and John (no love for Mark I guess), while Jesus Christ Superstar has a very specific focus on the events leading up to (and including) the crucifixion.

Jesus Christ Superstar is thus a Friday story.  It's about the events that led directly to what happened on Friday (not earlier, indirect, influences) and it ends in the culmination of those events on Friday.  This is not a story for Easter Sunday.  This isn't even a story for Holy Saturday.  It's composed of solid unapologetic Friday.

It's part of why I like "Could We Start Again Please" (something I didn't know was controversial, by the way.)  Probably not a coincidence that thus far, "Could We Start Again Please" is the only song from the musical I've used in a released work (unless I forgot something.)*

Anyway, "Could We Start Again Please" is about people, true believers who were invested heart and soul in the cause, recoiling at the fact that it seems to all be crashing down.  With the exception of a cryptic statement or two, Jesus never really warned anyone that the plan called for everything to end in blood and pain.

They're part of this powerful and growing movement that's all about love to the point that there are times where Jesus takes a stance of "Fuck Lawful, I'm Neutral Good!" in order to help (sometimes even save) people, and now what's happening is nothing like that.  They didn't see it coming and they want a do-over.

This is version that I've always known (and the only non-"Live in Concert" video I'll link to here):


(Not an important note, but for me this has always been Mary's song.  Peter's solo could have been sung by Mary losing nothing and quite possibly to the betterment of the song.)

This song doesn't work as an Easter thing.  On Easter, Jesus is back, Hell may or may not have been Harrowed, and, while the plan is still completely inscrutable, at least the whole "You're gonna get yourself killed" thing is no longer hanging over them all.

Things are no longer a matter of faith.  Jesus died.  He came back.  Things are happening on a cosmic level.  The song is very much on a human level.  It's not addressed to ascended God-mode Jesus.  It's addressed to [guy from Nazareth, with whom we've been hanging out] Jesus.

The song only works on or before Friday.  On Saturday things are a matter of religious faith and religious doubt.  (And ordinary grief.)  On Sunday things are a matter of, "Wait, has Ishtar knocked down the gates of the underworld‽" *pause* "Are you going to eat me?"

It's only on Friday that it's about friendship (and loyalty I suppose) and non-religious interpersonal connection.  It's only on Friday that Jesus is a person you're  Sorry.  Bad wording.  Gods are people too.  It's only on Friday that Jesus is a human being you're worried about because you care about him as a human being.

On Saturday it's a bit late for that.  He's dead.  No, we can't start again (please or no please.)

On Sunday everything is different.  He's been there and back again and is no longer the same hobbit you once knew.

This is not just about my favorite song in the musical though, nothing in the story is about Easter.  When Caiaphas and his underlings donned their (awesome) hooded sci-fi black-coats and sang a conversation live on NBC it was all about Friday and yet it played on Sunday:


And it's bothersome to me.

In part it's bothersome to me because we don't live in Easter.  Friday and Saturday are more relatable, just as Advent is way more applicable to one's ordinary life than Christmas.

Friday is when Donald Trump was elected President of the United States.

Saturday is when the people in charge are openly discussing how many poor people should have to die so the rich could get even richer (remember the whole "Let us cut Medicaid to pay for tax cuts for people who are already paying way less than their fair share in taxes" thing?)  Or when . . . just turn on CNN, you'll see plenty of fucking Saturday.

Sunday never seems to come.

And it's not that I particularly want a bunch of depressing shit dumped on us all**, but if you're going to make a "Things seemed to be going good and then the leader of a (mostly) peaceful movement was executed by torture" production . . . why put it on the wrong day of the week?

"From now on we shall only show Friday the 13 movies, Freaky Friday, and other things with 'Friday' in the name on Sundays!" would get you some weird looks, I think.

- - -

And, going back to the whole "Friday is more relatable" thing, Jesus himself is really at his most vulnerable in the garden when he's begging God not to have him die, or at least give him a better understanding of why he has to die.  (Not an invention of the musical to humanize Jesus, remember.  It really is in the Bible.)


On Sunday he's back and presumably has a decent understanding of the grand plan.

Not that Gandalf the White is a horrible or uninteresting character, but Gandalf the Grey is . . . I don't know, more there.  (And I wasn't planning this many Tolkien references.)

- - -

So, yeah, there's my "You played it on the wrong fucking day" rant.

Why this long after Easter?  Kim Possible.  Today (or was it last night?) I was thinking of a scene that'll be for Part III of Life After (presently only the three chapters of Part I exist) and the thing is, music is a huge part of who Jacob is, and Shin's gotten good a picking up when he's saying something he's lifted from a song (even when it's a totally innocuous or commonplace phrase), so thus this happened:

Jacob: How did you ever beat me?

Shin: Anything's possible for a--

Jacob: Then sprout wings and fly, grow a second head, levitate, summon a stir-fry, (♫) change my water into wine (♫), or--

Shin: What are you quoting this time?

Jacob: (♫) I only ask what I'd ask of any superstar:
What is it that you have got that puts you where you are? (♫)

*Ghost of Nanna Possible joins in with Jacob*

Both: (♫) Oh I am waiting, yes I'm a captive fan.
I'm dying to be shown that you are not just any man. (♫)

*Shin has face-palmed by now*

Shin: Don't encourage him.





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- - -
- -
-

* I used "Could We Start Again Please" in one of the very few scenes from the Band Story that I've actually written.  The scene is simply entitled, "_very_ late middle" and definitely contains spoilers for the story, but spoilers are only a problem if you actually expect me to write the whole story (I'd certainly like to, perhaps even love to, but I don't give it high odds) and are willing to wait until that actually happens.  If it happens.

** Lonespark will doubtless remind me to write up the post about why this is emphatically not the time for dark and gritty reboots but instead a time that calls for the light and fluffy utopianism of things like the original Star Trek.  (Which hasn't aged well, because they were sexist racist schmucks, but we're flawed so whatever we make won't age well either.  This, though, isn't about posterity, it's about what we need now.)

The short version is that while art does reflect life and can certainly be employed to great affect to draw attention to bad things the powerful/comfortable don't notice or refuse to notice, mainstream art also serves as a counterbalance.

When times are good, things get dark and gritty.  When times are bad, things get light and fluffy.  Fiction serves to provide you with what life does not.  If your real life is dystopian, then the time has come for a Utopia with no dark underbelly.  If your real life is utopian then crank up the tragedy.

So it has been for thousands of years.  (At least two and a half thousand.)  Thus we don't need asshole entitled man-child Kirk and Vulcan getting blown the fuck up.  We need, "Things are bad, but somehow, someday, we will make it to a better place.  A world without racism, or sexism, or homophobia, or transphobia, or any kind of institutional oppression.  A world without poverty or want.  It looks terrible, but let me show you a vision of the good things to come."

And sweet fuck I just described the meta commentary of the original Star Trek as an Advent narrative which was never part of this line of reasoning before.

And, yes, this has been the short version.  There's a reason that It's been months upon months and I've yet to write up the full version.

The short short version just hit me.  Pop-fiction, artistic styles, and so forth exist (in part) to say: "This, too, shall pass.  Here's what it will/could/might look like when it does:"

Sunday, April 1, 2018

KP EBE -- Models can't be role models. (series bible -- cover and summary pages)

There are various interviews about conception and creation of Kim Possible,  but the earliest primary source available is the pitch-era partial Kim Possible series bible released by Bob Schooley (one of the co-creators) on twitter on the 18th and 19th of April, 2016.

Series bibles can come in various forms depending on what the person or people making them are prioritizing and what role they're intended to serve.  The thing that links them all is that they record salient details of the series.  Sometimes it's so that these details are kept straight throughout the run of the show, sometimes it's so that the details can be communicated to the people deciding whether or not to make the show in the first place.  As you might have figured out from "pitch-era", this is the second.

The show didn't exist, and wouldn't for another year and eight months, so there weren't any canon details to keep straight yet.  Additionally, I'm reasonably sure that they never bothered with keeping details straight while the show was in production anyway.

This is all about what Bob Schooley and Mark McCorkle wanted the show to be and what they were marketing it as (internally) to the executives who would decide whether or not this was something Disney wanted to make.

- - -

I'm not going to dwell on this too much, but it's worth pointing out that Kim Possible was incredibly significant in terms of the history of Disney animation, particularly television animation, because it was the first in-house Disney Channel original animated series.  (If Nickelodeon hadn't passed on The Proud Family, it would have been the first Disney Channel original animated series, of any kind, ever.)

The Disney Channel and Disney Television Animation had both been around for almost, but not quite, 20 years at this point but they'd never produced something together and Kim Possible was the first foray in making a episodic cartoon for Disney by Disney on Disney.  As such the decision wasn't just "Do we want to make this?" but also "Do we want this to be our flagship property in this area?"

The answer was, "Yes."

With those paragraphs over, I'm done dwelling on that.  Let us dwell on something else.

- - -

First, have a picture:

KIM POSSIBLE
SHE CAN DO ANYTHING!
It's a cover page; there's not a lot to take apart or glean.  To me the most significant part is the date: October 2, 2000.  The first episode (Crush) aired on June 7th, 2002.  While it is certainly possible that at some point an earlier thing will be made public, it's probable that this is as far into proto-show as primary sources will ever take us.

The biggest other thing to note is that while the picture certainly evokes the idea of Kim, that's very much not the Kim we eventually got.  Most notably the hair, clothes, and grappling hook launcher which are all Kim-esque without actually being Kim.  That's a very appropriate note start to this with.

I will touch on the title before we go inside.  The words "Kim Possible: she can do anything" were, as recounted in various interviews, the beginning of the idea of the show, and they very much stick around throughout.

- - -


This is something that we can look through piece by piece.  So, starting with the first line and going one step at a time:
[...] a billionaire Japanese electronics mogul [...]
Looking at a list of Japanese billionaires has taught me that Cyberdyne, the corporation responsible for the Terminators(TM) who will exterminate most of humanity by order of Skynet, has now been founded in the real world.  Thankfully, they don't make killing machines.

The point in the looking up, though, is that this doesn't feel right to me.  The Japanese electronics industry is quite large and has historically been the source of significant innovation, but the sentence reads to me more like something coming out of blatant stereotyping than any kind of understanding of Japanese electronics.

Thus the looking up of Japanese billionaires.

I'm seeing construction, retail, holding companies, real estate, alcohol, eCommerce (not the same as electronics any more than air shipping is the same as airplane design and construction) and more or less the standard slate of stuff you'd expect (which, yes, does include electronics.)

This . . . isn't just me picking on an errant sentence.

Tick Tick Tick has Kim getting a (plane) ride from Gustavo of the Amazon in thanks for saving his village from a piranha infested flood.  In Bueno Nacho she gets a dog sled ride from an indeterminate First Nations individual whom she had saved from an iceberg.  In Monkey Fist Strikes she loots a Cambodian idol that was prized by ninja (Japan =/= Cambodia) who practiced Kung Fu (China =/= Japan or Cambodia) because it granted magical oriental martial arts powers (because . . . fuck.)

Kim Possible runs on many things (it's a hybrid) and one of them is blatant stereotyping.

The more it does it, the more you pick up on it, which in turn leads to giving it less benefit of the doubt.

Anyway, context:
The son of a billionaire Japanese electronics mogul is kidnapped.
The eventual show never dealt with anything like this.  People got kidnapped, sure, but Kim never stooped to rescuing people lesser than the billionaires, scientists, and Ron Stoppables themselves.  She will (very) occasionally deal with the children of important people, but if she's rescuing someone it'll be Mr McGuffin, not his second cousin.

That . . . might be an intentional choice to have Kim Possible and the show of the same name only deal with "important" people, rather than wasting time on lesser beings.  Quotes around "important" because in actuality everyone's important.

Next:
A nuclear arsenal in a breakaway Soviet republic goes missing.
This is sort of mission was, I think, tossed for an entirely different reason.  The threats Kim deals with in the actual show are very Doofenshmirtz Evil Incorporated-esque.  Certainly no one in Las Vegas particularly wants a black hole the size of Nevada to suddenly appear in their hotel, but death rays, freeze rays, hypnotic disco balls, spinning tops of doom, monkey ninjas in space, and the potentially-Nevada-destroying Pan Dimensional Vortex Inducer all have different connotations than, you know, the threat of a nuclear holocaust.

When the show went to dark places it seemed to be because the people making it utterly failed to notice that those places were dark, and when it was self aware things stayed in much lighter territory.  Territory which is harder to be in when the people around you are stocking up on potassium iodide, Prussian blue, and diethylenetriamine pentaacetic acid.
World weather patterns mysteriously reverse overnight.
This is the kind of thing that will survive to the final form of the show.  Not a big part of it, but it's the only thing in this introduction that will actually show up.

Anyway, that's all set up for this:
Fear not.  Kim Possible is ready for action.

Yes, Kim Possible -- High School sophomore, Junior Varsity cheerleader, and the world's last hope.
This all makes it into the show's title sequence.  It makes it there with such force that Kim continues to be listed as a high school sophomore throughout her junior year.

We previously discussed, in May of 2015, the inclusion of these things in the title sequence.  It makes more sense now that we have it in an actual context.

I'm of two minds on this.  On the one hand "High school sophomore [...] and the world's last hope," really captures what the show aspired to but never really delivered on.  Ordinary person forced into extraordinary role and all of the things that come with that.

This, apparently, was actually what aspiration was before there was anything else.  I'm focusing on the series bible, so just the one quote here, but before Schooley and McCorkle learned there was a desire for a new show, Disney had already decided that they were "looking for a show that showed ordinary kids in extraordinary circumstances".

So that's the one thing.  Ordinary kid in extraordinary circumstances is full of potential, though it's also full of potential for failure (which is probably why it usually gets screwed up.)

The other thing is this:
Junior Varsity cheerleader
At this point they had yet to cut Kim's characterization back to just "cheerleader" (she's still leader of the debate team during this stage of development) and yet only one part of her high school career makes it into this description.  There's absolutely nothing wrong with being a cheerleader, but it's notable that they specifically picked out the single most traditionally femininely coded extracurricular.

Shots of Kim's room will show that she has baseball and basketball equipment but it's important that she got her world saving athleticism via a stereotypically-feminine values-voter-approved 1950s-wholesome route.

This isn't an "I'm saying it's important" thing.  The show makes it important.  Kim credits cheerleading.  Time is taken to give Drakken a "Why did she have to be a cheerleader?" lament where it's made clear that he too thinks that Kim came to be superhero-capable only via cheerleading.  Those two are on opposite sides of the board, so that mutual agreement makes it across the board already and I'm only two examples in.

But that's for later.  What about now?

Well,  here we are: at the beginning, a year and eight months before the first episode hits the airwaves, the show is but a pitch.  What's important about Kim in this one page summary of everything you need to know?  Cheerleader.  A bit later: babysitter.

And that's the push pull for me.

Ordinary kid somehow in a unique position to save the world (repeatedly) and thus having that become their life is definitely interesting and full of potential.  It will never come up with Kim because she isn't ordinary (and it coming up with Ron is watered down severely by how quickly he got a magical upgrade.)

Also, there's definitely nothing wrong with the hero getting their athletic conditioning from their time on the cheer squad.

Yet, at the same time, it definitely seems to be the case that cheerleader was chosen for a very specific reason.  In a show that leans so heavily on stereotypes they picked the most feminine of the go-to high school stereotypes to build their character around.

You, female audience member between the ages of nine and fourteen (inclusive), can be a hero too.  (Yay!)  Provided that you make sure that it's all built upon a sufficiently girly foundation.  Wear a skirt, bare your midriff, wave some pom-poms, and never once consider that maybe you'd be more comfortable, for example, on the track team.  (Not-yay.)

It could have easily been that Kim is a kid who happens to be a cheerleader, instead it's more the case that she'a a cheerleader who happens to be a kid.  It goes from accidental (she is this but could have been anything else instead) to essential (this is who and what she is.)

That seems painfully limiting to me.  What if you're not the kind of girl who wants to be a cheerleader, or you are but you don't want it to the point that it would become the central aspect of your identity?  Does that disqualify you from being a hero?

- - -
It started innocently enough with Kim's webpage ad, "She can do anything."  She meant stuff like babysitting and watering neighbors plants.  But a weird thing happened.  The website got hits from around the world.  From people in trouble.  Take-over-the-world super-villain kind of trouble.
I quibble with the placement of "But a weird thing happened".

My dad was once the web designer/manager/person of a small restaurant chain.  He wasn't hired for this job (he was the head chef) he was just the only one who knew anything about computers or the internet.

The chain had all of three locations, which were in Maine and New Hampshire.  As the web manager he was getting emails from people in Europe asking if the chain could cater a local (to them) event.

That's just how it works.

You put something out there and it will get hits from around the world, even more so when this was written in 2000 as, back then, there was significantly less competition for those hits.

Quibble is over now.

- - -

So the set up is Kim had a Trixie-esque ad (The Great and Powerful Kim Possible can do anything!) and people with super-villain problems started asking for help.

We're back into the territory of things I like.  She didn't set out to be a hero, she stumbled into it by failing to specify what she was actually advertising for and now she's being introduced into a world that she might not have even known existed.  Faced with the (unstated) choice of helping the people or turning away, she chose to help.

Most kids would be in over their heads, and I'm actually interested in those stories a great deal.

It's been ages since I've read Sinfest, so I don't know where things stand now, but I loved Tange and Lily being in completely over their heads, never entirely sure what was going on, keeping each other positive, and always trying (and fighting) to do the right thing.

It was beautiful.

Realistically they had no chance whatsoever, but they didn't let it stop them and they muddled through somehow.  While they were very seldom (if ever) the heroes they did mange to be heroes.

That, however, isn't the direction they decided to take the show.
Tested by extremes, Kim found that she really could do anything.
She can't, that we know of, sprout wings and fly.  That said, for all that it's not literal, they're pretty big on the "anything" bit.

With the exception of ones the show seems to approve of, Kim almost never has a shortcoming that isn't solved by the end of the episode.  Certainly if there's ever something Kim encounters that she can't do, she will be able to do it soon.  (Or she'll decide it doesn't matter and isn't worth doing, but I can think of only one example of that.)

This, emphatically, not a function of the show being episodic.  Other characters have flaws that stick with them or difficulties that last (or at least linger.)  Kim is perfect.  If an imperfection is found it will be dealt with in 22 minutes or less.

- - -
Now Kim is a normal fifteen year-old
No.  No, no, no.  No.

When these pages were first released I had a concussion and was supposed to stay away from screens.  So I just linked to them and left it at that.  This is from depizan in the comments to that post, with some formatting added by me:
They really hammer on the whole "typical teenage girl, except totally not" thing.  I can't decide how I feel about that.

On the one hand, I do like the idea of someone discovering they're capable of a whole hell of a lot if people just give them the chance.

On the other hand, she's NOT a typical teenage girl (martial arts, ability to travel the world at the drop of a hat, detective skills, etc, etc, including, apparently, being model-pretty), and claiming that she IS doesn't sit quite right with me.

The more they say she's typical, normal, whatever, the more they're kind of unintentionally insulting both Kim (by minimizing her achievements) and all teenage girls everywhere (who probably aren't capable of most of the things she does).
This is huge.  Kim isn't normal.  Most of the X-Men are closer to normal than she is.  If Kim is just your basic average girl then what does that say about all of the girls out there who can't so easily balance school, family, friends, sports, activism, and everything else?

Or, to fast forward and use an example from the show, if this is average:



then what does it say about all of the girls who couldn't do that in middle school?  What are they?  Obviously they don't measure up to "average".

That scene, from the time travel movie, takes place before Kim got her first hit on her website.  That's what she was like before becoming a super hero.  Years later, after she's needed to improve on those skills massively to survive her new hobby of saving the world, she's still merely average, normal, typical, and so forth.

When Kim's saying it we can reflect on what it means that she never gives herself credit, but right here, right now, this isn't Kim.  This is one of the documents that went into creating the show and it's not saying, "Kim thinks of herself as normal," it's saying she is.

And the thing is, this:
Now Kim is a normal fifteen year-old, who happens to save the world.  A lot.
could have been done.  Given the right opportunities, resources, and support structure you could have a thing where a normal kid saved the world from super-villains.  Kim Possible is very definitely not anything like that.

It isn't like that because Kim is never allowed to be normal.

- - -
Sure, she's got schoolwork and chores and the occasional babysitting gig,
It might have been nice if we saw some of this stuff.  We will see her in school a lot, and it's probably unavoidable that we therefore know of assignments she's had.  I don't, off the top of my head, know of any chores she's ever had to do.  Her being a babysitter will be mentioned.  Her babysitting will never be shown.

I suppose that lets them avoid the question of what Kim does when someone calls or beeps her but she can't leave little Timmy at home all alone.
but what about the missing team of climbers on Mount Everest?  Somebody has got to help them.
Calling in the proper authorities is never considered, of course.  That's a missed opportunity.  The show would have been vastly different if Kim were helping the people whom the authorities ignored.

As it is, Kim has jumped into action to save the Billionaires' Club but I'm not really remembering any times she helped poor people.  She's done things that help everyone in a given area (a village, Wisconsin, Europe, the world, so forth), which logically means she must have helped any impoverished people therein, but working directly to help someone on the margins?  I'm drawing a blank.

Most of the times she's called in (which is not nearly as often as you'd think given the premise) it's a rich individual, a corporation, or a part of a government doing the calling.
And that's just what Kim does.  She helps.  Doesn't matter where.  Doesn't matter when.  Doesn't matter how dangerous.  When Kim gets an instant message from someone in trouble, she has just got to help.
I do think that there's probably something to be said about the difference between choosing to help and being compelled by your nature to help, but I'm not sure what that something is so I'm going to leave this alone.

Kim has let other people's problems become a central part of her life because she's the sort of person who won't turn away any request for help.  In real life, with real people, that's a recipe for total burnout, and we'd need to talk about the need for self care and all of that.

But Kim isn't your basic average girl (as noted above), so she doesn't face such problems.  She's only overwhelmed if an episode's plot demands it, and she never risks burning out.  Kim is perfect and therefore can help everyone with all the things all the time.

- - -
Tenacious.  Strong.  Resourceful.  Kim could be anything she wants to be.
This is the most description we've gotten of the title character, generic though it is, in this summary.

Also note the continued dissonance of actual-Kim vs. "We swear she's totally normal" Kim.

A normal high school student cannot be anything they want to be.  Sometimes they fail.  Sometimes their abilities don't match the task.  Sometimes someone else is better than they are and therefore gets the last opening.

"You can be anything you want to be" is useful in certain circumstances, but it becomes damning when someone like Kim shows up for whom it is literally true.

Usually it's said to encourage people to reach for their dreams instead of giving up before they even start.  It's said because while you can't be anything you want to be, you don't know what you can and can't be until you try.  Thus something that encourages you to try is often good, because without it "I can't be X," isn't a statement of what is actually possible so much as a self-fulfilling prophecy.

The dark side of the sentiment is that it sets things up so that when you come across something you truly can't be, it tells you it's because you're somehow failing and deficient.  Or, at the very least, you're not trying hard enough.  Since you can, it's not like something else is preventing you from being what you want.  Since you're not, and we've already ruled out "something else", the blame can only lie with you.

Why aren't you a perfect, pretty, and popular student who makes her parents proud?  Must be your fault.  Kim Possible, who is merely basic, average, normal, and typical has pulled off all of that and so much more.  You could too, if you actually cared.

So the message seems to be.

- - -
It's like that time she saved a remote Pacific island from volcanic disaster, a photographer doing a swimsuit shoot offered to catapult her to cover girl status, but in her words:

Gee, thanks.  But why be a supermodel when I can be a super role model.
Right, because those two things are mutually exclusive.

Kim can be anything she wants to be.  Even a supermodel.  Models, on the other hand, can't be role models.  Because fuck 'em, amirite?

(If you're going to look into this woman, be warned that what she was standing up against was horrific, as in: mutilation-horrific.  Warning out of the way:)

In 2000, when this is dated, Waris Dirie was at the midpoint of her time as a UN Special Ambassador.

But, hey, trying to make a difference in the world --trying to make it a better place-- that's not role model material, now is it?

Or, maybe, we should have a hero that doesn't judge people and professions based solely on superficial stereotypes.

Kim is supermodel pretty, because she has to be feminine, but not supermodel willing, because we all know that models are *slams head into keyboard . . . figuratively*

Of course, this is just the-less-than-one-page summary.  As such it's an inherently shallow look at everything.

We'll start looking at character bios next.

Thursday, March 29, 2018

Kim Possible Episode by Episode Index -- The Redux

This is the new index for our restarted (well, soon to restart) trip through the cartoon Kim Possible.

(For the record, I know basically no html, so I have no idea if my attempt at a collapsible and expandable list will actually work.  If it doesn't, that's a lot of time scouring the internet wasted.)

Table of Contents

~ Meta Stuff ~
Current: From before:
~ Theme Posts ~
Current:
  • Nothing yet
From the previous attempt:
~ Before the Show ~

This will probably just be posts about the released pages of the pitch era continuity bible, but I like to leave options open, so if there's something else that fits in the pre-release timeframe, and I cover it, it'll go here.

⬤ Series Bible: How things might have been
Current: From before:
~ The show Kim Possible itself ~
(Things that are in every episode)
Current:
  • Nothing yet
From before:
(The First Season)
⬤ Tick Tick Tick: The rules aren't supposed to apply to me
Current:
  • Nothing yet
From before:
⬤ Bueno Nacho: I hate it when you're happy, and it's objectively bad too
Current:
  • Nothing yet
From before:
⬤ Monkey Fist Strikes: ?
Current:
  • Nothing yet
From before:
    This was the last episode I finished, and the size of the posts convinced me that a single episode has too much content for just two posts.
  • I find your suffering vexing -- Kim tries to conform to the role of "good girl" and "good daughter" not matter how much it requires her to lie about her own desires, Ron is triggered multiple times, Team Possible fails in what was set up as their main mission of the episode, and, oh yeah, Kim has an incredibly insulting anti-nerd/anti-geek/anti-gamer/anti-convention-goer/anti-cosplayer rant.  Good times.
  • Your irrational prejudice will be vindicated -- Kim is faced with enduring the living Hell that is spending time with her somewhat geeky cousin, Wade suggests using holographic technology to flake out on it, Ron is faced with that which he fears most, and the entire pacific coast of Asia is condensed into one squishy place where mystical martial arts come from.
⬤ Attack of the Killer Bebes: ?
Current:
  • Nothing yet
From before:
    This is where I stalled. The first installment of the "four posts per episode" format, which I really do believe would have worked well, and I stalled out after the first post. Have the first post:
  • Even though you're my best friend, I still think you're a freak -- Ron wants to join the pep squad, Kim thinks this is the end of her life, Kim's mom is more open minded, and Kim's dad actually has a life and history in a way her mother does not and never will.

(The Second Season, Part 1)
⬤ First
⬤ Second
⬤ Third

(A Sitch in Time)
⬤ Present
⬤ Past
⬤ Future

(The Second Season, Part 2)
⬤ First
⬤ Second
⬤ Third

(The Third Season)
⬤ First
⬤ Second
⬤ Third

(So The Drama)
⬤ Part One
⬤ Part Two
⬤ Part Three

(The Fourth Season)
⬤ Oh my God! Why would you ever do that‽
⬤ Second
⬤ Third

~ Other Media ~
(Episode Adaptations)

(Original (tie in) Stories)
⬤ Books
⬤ Comics
⬤ Video Games
(Other Things)

-

[The new and improved Kim Possible Index]
(which doesn't actually exist yet)
[The old Kim Possible Index]